And then, finally, the literature of a people equally reveals the impress of surrounding cosmical conditions. "The poems of Ossian are but the echo of the wild, rough, cloudy highlands of his Scottish home." The forest songs of the wild Indian, the negro's plaintive melodies in the rice-fields of Carolina, the refrains in which the hunter of Kamtchatka relates his adventures with the polar bear, and in which the South Sea Islander celebrates his feats and dangers on the deep, all betoken the influence which the scenes of daily life exert upon the thoughts and feelings of our race. "To what an extent nature can express herself in, and modify the culture of the individual, as well as of an entire people, can be seen on Ionian soil in the verse of Homer, which, called forth under the most favorable sky, and on the most luxuriant shore of the Grecian archipelago, not only charms us to-day, but bearing this impress, has determined what shall be the classic form throughout all coming time." [10]
[Footnote 10: ][ (return) ] See Ritter, pp. 288, 289. Poetic art has unquestionably its geographical distributions like the fauna and flora of the globe. "If you love the images, not merely of a rich, but of a luxuriant fancy; if you are pleased with the most daring flights; if you would see a poetic creation full of wonders, then turn your eye to the poetry of the orient, where all forms appear in purple; where each flower glows like the morning ray resting on the earth. But if, on the contrary, you prefer depth of thought, and earnestness of reflection; if you delight in the colossal, yet pale forms, which float about in mist, and whisper of the mysteries of the spirit-land, and of the vanity of all things, except honor, then I must point you to the hoary north.... Or if you sympathize with that deep feeling, that longing of the soul, which does not linger on the earth, but evermore looks up to the azure tent of the stars, where happiness dwells, where the unquiet of the beating heart is still, then you must resort to the romantic poetry of the west."--"Study of Greek Literature," Bishop Esaias Tegnér, p. 38.
In seeking, therefore, to determine correctly what are the characteristics of a nation, we must endeavor to trace how far the physical constitution of that people, their temperament, their habits, their sentiments, and their ideas have been formed, or modified, under the surrounding geographical conditions, which, as we have seen, greatly determine a nation's individuality. Guided by these lights, let us approach the study of "the men of Athens."
Attica, of which Athens was the capital, and whose entire populations were called "Athenians," was the most important of all the Hellenic states. It is a triangular peninsula, the base of which is defined by the high mountain ranges of Cithæron and Parnes, whilst the two other sides are washed by the sea, having their vertex at the promontory of Sunium, or Cape Colonna. The prolongation of the south-western line towards the north until it reaches the base at the foot of Mount Cithæron, served as the line of demarkation between the Athenian territory and the State of Megara. Thus Attica may be generally described as bounded on the north-east by the channel of the Negropont; on the south-west by the gulf of Ægina and part of Megara; and on the north-west by the territory which formed the ancient Bœotia, including within its limits an area of about 750 miles. [11]
Hills of inferior elevation connect the mountain ranges of Cithæron and Parnes with the mountainous surface of the south-east of the peninsula. These hills, commencing with the promontory of Sunium itself, which forms the vertex of the triangle, rise gradually on the south-east to the round summit of Hymettus, and onward to the higher peak of Pentelicus, near Marathon, on the east. The rest of Attica is all a plain, one reach of which comes down to the sea on the south, at the very base of Hymettus. Here, about five miles from the shore, an abrupt rock rises from the plain, about 200 feet high, bordered on the south by lower eminences. That rock is the Acropolis. Those lower eminences are the Areopagus, the Pmyx, and the Museum. In the valley formed by these four hills we have the Agora, and the varied undulations of these hills determine the features of the city of Athens. [12]
[Footnote 11: ][ (return) ] See art. "Attica," Encyc. Brit.
[Footnote 12: ][ (return) ] See Conybeare and Howson's "Life and Epistles of St. Paul," vol. i. p. 346.
Nearly all writers on the topography of Athens derive their materials from Pausanias, who visited the city in the early part of the second century, and whose "Itinerary of Greece" is still extant. [13] He entered the city by the Peiraic gate, the same gate at which Paul entered some sixty years before. We shall place ourselves under his guidance, and, so far as we are able, follow the same course, supplying some omissions, as we go along, from other sources. On entering the city, the first building which arrested the attention of Pausanias was the Pompeium, so called because it was the depository of the sacred vessels, and also of the garments used in the annual procession in honor of Athena (Minerva), the tutelary deity of Athens, from whom the city derived its name. Near this edifice stood a temple of Demeter (Ceres), containing statues of that goddess, of her daughter Persephone, and of Iacchus, all executed by Praxiteles; and beyond were several porticoes leading from the city gates to the outer Ceramicus, while the intervening space was occupied by various temples, the Gymnasium of Hermes, and the house of Polytion, the most magnificent private residence in Athens.
[Footnote 13: ][ (return) ] The account here given of the topography of Athens is derived mainly from the article on "Athens" in the Encyc. Brit.
There were two places in Athens known by the name of Ceramicus, one without the walls, forming part of the suburbs; and the other within the walls, embracing a very important section of the city. The outer Ceramicus was covered with the sepulchres of the Athenians who had been slain in battle, and buried at the public expense; it communicated with the inner Ceramicus by the gate Dipylum. The Ceramicus within the city probably included the Agora, the Stoa Basileios, and the Stoa Pœcile, besides various other temples and public buildings.