SERAGLIO POINT itself, or rather the extreme end of it at least, is now open to the sea. It was not always so, and is only safe now that long-range guns have completely revolutionized the methods of defence.
Where our travellers alighted was a wall flanked by strong towers, 188 in all, says Bondelmontius; this extended all along the coast by the Sea of Marmora, until it joined the angle where the land-walls that cut right across the peninsula commence. Remains, and fine remains, of their sea-wall are still here, at one place dipping their stout foundations into the sea, at others further inland on spots which were in former times the harbour.
No doubt the first wall here was built by Byzas, but it has vanished and made room for the ramparts which Constantine the Great erected to defend his new capital. What yet remains is full of interest and has a beauty of its own.
When looking towards the city from Modar or Kadikeui on the Asiatic side, the city seems to arise from out a girdle of embattled walls, to lose itself in a forest of slender minarets. On approaching these walls their interest increases, for here are arches built up and strange inscriptions, gateways that each contribute many pages to history. Theodosius II and his præfect Constantius have here left records of their rule; the Emperor Theophilus is mentioned in the same manner as the restorer of the walls, and so is the share that Emperor Isaac Angelus contributed to their repair.
No doubt there was much need of walls to guard the ever-extending sea-front of the city along the shore of the Sea of Marmora; for though the Greeks, and after them the Turks, were generally able to forestall an attack by striking first, this policy in the degenerate times of the Empire was not always practicable.
Still the sea-walls were not exposed to the assaults of an enemy to such an extent as were the landward ones; their worst enemy was the sea in its destructive phases, and other elements aided in rendering insecure man’s tenure of this precious slip of land.
The traveller must remember the first sight of Constantine’s glorious city; he approached it at high noon and saw it melting in a golden haze rising out of tranquil waters, which mirrored faithfully the colour of the sky, while many other colours flamed and fleeted like sparkling diamonds. Yet as we approached Seraglio Point the strength of the current became evident, the current against which those heavy-built sailing craft, aided by their oars, battled so manfully, while it bore other small craft swiftly out into the Sea of Marmora. This current with its constant wear and tear put a severe strain on the foundations of the seaward walls upon Seraglio Point. The traveller’s first view was in the fairest of fair weather; but in the winter, when the piercing icy gale tears down through the narrow channel of the Bosphorus, ploughing up its waters to dash them against the facings of the promontory, another side of the picture is revealed, and helps to account for the constant repairs that were needed to keep the seaward ramparts in a proper state of defence. Not only those storms that scourge the racing billows to the charge, but other forces have helped to frustrate man’s efforts to shelter himself from fierce foemen and fiercer elements.
For in 447 an earthquake visited this fair spot and wreaked much havoc among the stout walls and stouter towers that Constantine constructed. Again, some three centuries later, a most severe winter held all that Eastern neighbourhood in an iron grip. According to Theophanes, the Black Sea along the northern and western shores was frozen to a distance of one hundred miles from land, and that to a depth of sixty feet. Upon this foundation a huge mass of snow some forty-five feet in height had gathered. With the softer breath of spring the ice broke up, and floating on the swift currents of the Bosphorus came the floes in such numbers that they blocked up the narrower passages and formed a floating barricade across the channel from Scutari to Galata. When this mass in its turn was loosened and drifted south, huge icebergs crashed against the bulwarks, so high that they overtopped the towers and ramparts of the sea-wall, so great that their weight and impetus crushed all that opposed their progress. And thus the walls along the apex of the promontory had to be entirely reconstructed by Michael II, who commenced the work, and his son Theophilus, who completed it.
Author and Artist have discussed most seriously how best to show the traveller these walls along the Sea of Marmora, for there is much to be seen. The Artist loves the view from across the Sea of Marmora seen at sunrise, of the city swimming in a sea of pearly grey; or at sunset, purple against a glowing mass of orange, red and green, colours which are all truthfully reflected in the placid waters. And the centre of the composition is the Seraglio lighthouse. Close behind it rise battlemented walls and towers, and then in tiers of little red roofs above the grey wooden houses, among trees of all kinds, while everywhere the immortal cypress strives after the minarets that stand as sentinels to the many mosques which crown the heights of the city.
Here, too, on that tranquil sheet of water, pages of history have been unrolled, filled up, and set aside for the guidance of future generations. For though the seaward walls were strong and bravely manned, though they were further guarded by a current which could dash an enemy’s fleet to atoms on the strong surface of the defences, or carry it harmless out to sea again, many a shipload of adventurous spirits has tried conclusions with the men who held them and the elements which guarded the approaches with equal jealousy.