Here much of St. Chrysostom’s life and energy was spent; here, since the schism with the Church of Rome, has been the Seat of the Patriarch, head and high priest of the Greek Church.
Rulers, dynasties, even governing races have replaced each other, yet here the Patriarchate still maintains the dignity of the great Church it represents. For the strong man who vanquished this proud city did not seek to turn his new subjects to his faith, but rather gave them full liberty to follow their own. And this has been the policy of his successors; thus it is that a Greek patriarch, Joachim, third of that name, this day watches over the interests of his flock. Adherents to every creed, save that of the Armenians, have enjoyed complete religious freedom, and Jews who were hounded out of Catholic Spain took refuge under the Chalif of Islam.
The same policy is continued by those clear-headed men who have but recently revived the Empire of the East, and trust in time to give it a government conceived on modern lines. Romance! Are not the pages of history, even the most recent, made glorious by it? So who will deny the attribute of romance to the story of a walled city?
Think of the enterprise, the ingenuity, the steadfast endeavour that led to the encircling of ever-increasing areas within the embrace of those stout walls; of the life of the people who pressed onward out of paganism to Christianity, from despotism to constitutional government.—Romance!
In younger days wars were waged because some fair lady had been carried off, some rich jewel stolen, and in order that black insults might be wiped out. We live nowadays beneath a more sombre sky. From isolated incidents our motives have crystallized into definite principles, and it needs the delicate eye of the artist to see any of the old lustre in our honest if humdrum efforts to defend them.
Constantinople—the name conjures up dreams of Eastern colour, Eastern sights, and Eastern smells: visions of Turks in baggy breeches and jaunty fez; visions of bearded elders in flowing robes and turbans, white, green or multi-coloured according to the wearer’s calling, descent, or personal taste, for only he who is learned in the Koran may wear white. Those who claim descent from the Prophet bind their fez with green, and divers colours are worn more by Ottoman subjects from over the water. Then you dream of stalwart sunburnt Turkish soldiery whose bearing speaks of Koran-bred discipline and stubborn fighting, and a fanaticism which takes the place of imagination. Gorgeous cavasses, frock-coated followers of Islam with unshaven jowls and green umbrellas, smart Bedouins and copper-coloured eunuchs from Abyssinia, immaculately-attired dragomans, veiled ladies, more mysterious even than their Western sisters—in fact, splendour, squalor, light and life, and all as picturesque and romantic as dreams can be. This is the vision, and the reality to whosoever is fortunate enough to see Constantinople is its fulfilment. All but the dragomans, perhaps, for you may pass one by and not know he is that wonderful omniscient being—a dragoman. He will hide his greatness under a straw hat, maybe, he may even affect an air of Western hustle.
But every other effect makes up for any disappointment one may experience over dragomans. In a golden haze kaleidoscopic changes, every type of face a study, every street corner its own distinctive character, even the spick and span liners that lie along the quays, or have their station in the fairway of the Golden Horn, seem to adopt a catchet other than their register provides for them. Over all, the domes of many mosques with their attendant minarets, from which the call to prayer goes forth, they point the way to the goal of all good Moslems, and few there are who allow this world’s cares to interfere with their devotions. Later in the day these mosques, silhouetted in the gold of a Stamboul sunset along with the other tall columns “qui s’accusent” against the sky, go to form, as Browning (who had never seen them) suggests, a sort of giant scrip of ornamental Turkish handwriting.
So, having followed this sketch of Constantinople’s history from Byzas to these days, in which an almost bloodless revolution has been accomplished, let us approach the city, and mark the bulwarks that are left, and hear what those massive towers and battlements have to tell us.
CHAPTER II
THE APPROACH TO THE CITY BY THE BOSPHORUS
AUTHOR and Artist have, for the sake of compactness, been rolled into one. This method leaves to both a free hand and ensures absolute unanimity: their harmonious whole now proposes to the reader a personally conducted tour around the walls of Constantinople, within and without, stopping at frequent intervals to allow the Artist to ply his pencil while the Author holds forth to an eager circle of intelligent listeners.