In the same way, when we speak of the Divine Artificer "creating," or saying "Let there be," there are two things implied: (i) the Divine plan or type-form, and its utterance or delivery (so to speak) to the builder-forces and materials; (2) the result or the translation into tangible existence of the Divine plan.

In every passage speaking of creation it possible that both processes may be implied; it may be clear from the text (as in Genesis i. 1) that this is so. But it is equally possible that the first point only, which in some aspects is really the essential matter, is alone spoken of.

And I submit that, given the general fact that God originated everything in heaven and earth (as first of all stated generally in Genesis i. 1-3), the essential part of the detailed or specific creation subsequently spoken of, was the Divine origination of the types, the ideal forms, into which matter endowed with life was to develop; without any necessary reference to how, or in what time, the Divine creation was actually realized or accomplished on earth. It may be that the form so conceived and drawn in Nature's book by the Divine Designer is a final form, up to which development shall lead, and beyond which (at least in a material sense) it shall not go; or it may be that it is a type intended to be transitory;[[69]] but both the intermediate and final forms must take their origin first in the Divine Mind, and be prescribed from the Heavenly Throne, before the obedient matter and forces and the life-endowment could co-operate to result in the realization of the forms and the population of the globe.

The reason why it is the essential part, is, that when once the Divine command issued, the result followed inevitably—that will "go without saying."

In human affairs, also, we speak of the architect having created the palace or cathedral, or the ironclad; meaning thereby not the slow process of cutting and joining stone, or riveting steel plates, but the higher antecedent act of mind in evoking the ideal form and providing for all contingencies in the adaptation and subsequent working of the finished structure. And if we limit this use of the term "creation" somewhat in speaking of human works, it is because the concept of the human mind so often fails of realization; that it is one thing to design, and another to accomplish. The grandest design for a palace may fail to stand because some peculiarity of the stone has been forgotten, or some character of foundation and subsoil has been misunderstood. The noblest form of turret-ship may prove useless because the strength of some material will not correspond to the ideal, or some curve of stability has been miscalculated. Not only this: man may create, as a sculptor, the ideal form for his to-be statue, or the dramatist his character; but the perfect realization, either in marble or in an actual being, may be impossible; the ideal remains "in the air." The ideal, therefore, is not the major part of "creation" in a human work.

But with the Divine work it is otherwise. The Divine thought in Creation and its result are separated by no possibility of failure. Given the matter and the laws of force and of life, directly the Great Designer has uttered His thought to those that are His builders, they must infallibly and without discord, work through the longest terms, it may be, of an evolutionary series, till, every transitional condition passed, the final form emerges perfect.

Our very verbal definition, admitting as it does "derivative" creation, implies this. We all speak of ourselves as "created." How so? We are not produced ready made. Nor do we wholly solve the matter by saying that we are "created" because we are born from parents who (if we go far enough back) originated in a first production from the hand of Nature. We are really "created" because the design—the life-form of us, which matter and force were to work together to produce—was the direct product of the Divine Mind.[[70]]

My question, therefore, of the Genesis interpreters is: Why will you insist on the text meaning only the second element in Creation—the production on earth, and not the Design or its issue in heaven?

The former we could find out some day for ourselves; we have found out some of it (though only some) already; the latter we could never know unless we were told. Surely it is the "dignus vindice nodus" in this case. To tell us the earth's history within a brief space would be impossible, and would have been for ages unintelligible if it could have been told; to tell us of God's creation is possible—for it has been done; and the record, unless misread, is intelligible for all time.

The narrative, if it is a revelation of Divine Creation in heaven, takes up ground that none can trespass on. None can say "it is not so," unless either he will show that the words will not bear the meaning, or that the context and other Scripture contradict it.