A woman whose tranquil eyes never see the light of day, but in which, nevertheless, there is no sign of repining or regret. Purity and sweetness dwell in her face, and as she stands motionless in a listening attitude, her white hand resting on the table, no more exquisite representation of peace and universal love and sympathy could be found in living form or marble statue. She is fair almost to whiteness, and although her figure is slight and there is no colour in her cheeks, she is in good health, only that sometimes during the day she closes her eyes and sleeps in her armchair for a few minutes. In those intervals of unconsciousness, and when she seeks her couch, she sees fairer pictures, perhaps, than if the wonders of the visible world were an open book to her. Her dreams are inspired by a soul of goodness, and her husband's heart, as he gazes upon her in her unconscious hours, is always stirred to prayer and thankfulness that she is by his side to bless his days. Not only in the house is her influence felt. She is indefatigable in her efforts to seek out deserving cases of distress and relieve them; and she does not confine her charity to those of her faith. In this regard Jew and Christian are alike to her, and not a week passes that she does not plant in some poor home a seed which grows into a flower to gladden and cheer the hearts of the unfortunate and suffering. Grateful eyes follow her movements, and a blessing is shed upon her as she departs. A ministering angel is she, whose words are balm, whose presence brings sweet life into dark spaces. So might an invisible herald of the Lord walk the earth, healing the sick, lifting up the fallen, laying his hand upon the wounded breast, and whispering to all, "Be comforted. God has heard your prayers, and has sent me to relieve you." This is Rachel Cohen, Aaron's wife, in her forty-fourth year.

A younger woman, in her springtime, with life's fairest pages spread before her. Darker than Rachel is she, with darker hair and eyes and complexion, slim, graceful, and beautiful. It is impossible that she should not have felt the influence of the home in which she has been reared, and that she should not be the better for it, for it is a home in which the domestic affections unceasingly display themselves in their tenderest aspect, in which the purest and most ennobling lessons of life are inculcated by precept and practice; but a profound student of human nature, whose keen insight would enable him to plumb the depths of passion, to detect what lay beneath the surface, to trace the probable course of the psychological inheritance which all parents transmit to their children, would have come to the conclusion that in this fair young creature were instincts and promptings which were likely one day to give forth a discordant note in this abode of peace and love, and to break into rebellion. There is no outward indication of such possible rebellion. To the friends and acquaintances of the household she is a lovely and gracious Jewish maiden, who shall in time become a mother in Judah. This is Ruth Cohen, in the eyes of all the world the daughter of Aaron and Rachel.

A young man, Ruth's junior by a year, with his father's strength of character and his mother's sweetness of disposition. He is as yet too young for the full development of this rare combination of qualities, the outcome of which is to be made manifest in the future, but he is not too young to win love and respect. His love for his parents is ardent, his faith in them indestructible. To him his mother is a saint, his father a man without blemish. Were he asked, to express his most earnest wishes, he would have answered, "When I am my father's age may I be honoured as he is: when I marry may my wife be as my mother is." This is Joseph Cohen, the one other child of Aaron and Rachel.

A tall, ungainly woman of thirty, working like a willing slave from morning to night, taking pride and pleasure in the home, and metaphorically prostrating herself before every one who lives beneath its roof. Esteemed and valued by her master and mistress, for whom she is ready to sacrifice herself and to undergo any privation; especially watchful of her mistress, and tender towards her; jealous of the good name of those whom she serves with devotion. Of Aaron Cohen she stands somewhat in awe, he is so far above her in wisdom. She does not trouble herself about religious matters; questions of theology come not within her domain, her waking hours being entirely filled and occupied with the performance of her domestic duties. She listens devoutly to the chanting of Hebrew prayers, not one word of which does she understand, and is none the worse for them. Her master and mistress are the representatives of a race for which through them she entertains the profoundest respect; it is more than likely, if the choice had been hers and if she had deemed herself worthy of the distinction, that she would have elected to be born in the Jewish faith. She carries her allegiance even to the extent of fasting with the household on the Day of Atonement, and of not allowing bread to pass her lips during the Passover week. This is Prissy, the ever true, the ever faithful.

CHAPTER XXVI.

[THE FOUNDATION OF AARON'S FORTUNE.]

Eventful indeed to Aaron Cohen had been the twenty years since he left Gosport. In the South of France, where they remained for a much longer time than he intended, Rachel was restored to health, and Aaron had the joy of seeing her move happily about the house and garden, and of hearing her sing to her babe the songs and lullabies which, from a mother's lips, are so fraught with melodious and tender meaning. It almost seemed as if she had inward cause for thankfulness that blindness had fallen upon her, for Aaron had never known her to be so blithe and light-hearted as during those weeks of returning health. Prissy was invaluable to them, and proved to be a veritable treasure. The short time it took her to learn her duties, the swiftness and neatness with which they were performed, the delight she took in the babe, who soon replaced Victoria Regina in her affections, and the care and skill with which she guided her mistress's movements, amazed Aaron. He had divined from the first that she was a shrewd, clever girl, and he had the satisfaction of discovering that she was much cleverer than he would have ventured to give her credit for. She was tidier in her dress, too, and never presented herself unless she was clean and neat. She became, in a sense, her mistress's teacher, and Rachel was so apt a pupil that Aaron's apprehensions that she would meet with an accident if she moved too freely about were soon dispelled.

"Is it not wonderful, love?" she said. "I think I must have eyes at the tips of my fingers. But it is Prissy I have to thank for it."

She repaid the girl, be sure. Gradually Prissy's mode of expressing herself underwent improvement; she did not use so many negatives, she dropped fewer h's, she learned to distinguish between g's and k's; and Aaron himself laid the first stone in her education by teaching her the a b c. One thing Prissy would not learn; she obstinately refused to have anything to do with the French language. English was good enough for her, she declared, and to the English tongue she nailed her colours.

Fond as she was of babies, she would not countenance French babies, and said it was a shame to dress them so. "I'm a troo bloo, sir," she said to Aaron; "please don't force me." And with a hearty laugh he desisted.