"You're a brick!" said the young fellow, looking at the card with a flushed face. If it had been an enchanted wand, it could not have made his heart beat more quickly. "I'll be there to-night."
He was as good as his word. What made him so eager was that he had been to the theatre three times, and had fallen dead in love with the singing and dancing Chambermaid. Such an opportunity to make her acquaintance was not to be thrown away. At eight o'clock he stood by the wings, as handsome as Apollo, as strong as Hercules. When he was introduced to the singing and dancing Chambermaid, he was as shy as a sensitive plant, and would have looked foolish but that his beard prevented him. Many a man has to thank his beard for similar grace. The Chambermaid, as good a girl as she was beautiful, saw the state of affairs at once, and knew, by feminine instinct, that she could twist him round her little finger. Nevertheless, she fell in love with him. Nature will not be denied, and he was a man to be fallen in love with. Her name was Margaret. His was Philip.
After the performance, John Hart and Philip Rowe had a glass together. They spoke of the old country.
"I'll give you a toast," said Philip Rowe. "Here's to the Silver Flagon."
"To the Silver Flagon," responded John Hart. Philip Rowe drank another toast, but did not utter it: To Margaret.
He went to the back of the stage on the following night, and many nights after that, and made friends with the company. All the men liked him; he was free-hearted and free-handed. But the Leading Lady, after a night or two, looked upon him with displeasure, for he paid her less court than her state demanded. Her displeasure was the greater because she had shown that she was inclined to be gracious to him. It was incredible that a lady who enacted Pauline, and Juliet, and Lady Macbeth, should be overlooked for a chitling who played simple chambermaids, and could dance a little. But then Philip Rowe was blind--which was not a valid excuse for him. The Leading Lady--being a woman as well as a Leading Lady--would have been well pleased to receive the attentions of so handsome a young man, who was evidently a gentleman, and she snubbed Margaret one night, and was spiteful to her, because of her good fortune. Philip Rowe, going behind the scenes, found his Margaret in tears, in a convenient corner. She had a spare half-hour, and he coaxed her to tell him the cause of her distress.
"Never mind, Margaret," he said tenderly. "Don't cry!"
She looked up shyly at this. It was the first time he had called her by her Christian name. If brevity be the soul of wit, it is also frequently the soul of love. Margaret was comforted.
When Philip Rowe came face to face with the Leading Lady, he glared at her. She glared at him in return. He felt awkward and hung down his head. Her glare was more potent than his; she had to glare often on the stage, and was an adept at it. Besides, her face was smooth; his was hairy.
Margaret coaxed him to do something that night; she knew where and how to plant a dagger in her rival's bosom. She whispered to Philip and he ran out of the theatre in a glow of ecstatic delirium, for her lovely lips had almost touched his ear. Her warm breath on his neck made him tremble.