'Where did we leave off last night, children?' asks Mr. Silver.

'Where Madame de la Tour receives a letter from her aunt,' answers Mary.

'Yes, from her spiteful old aunt,' adds Richard, 'and where Paul stamps his feet and wants to know who it is that has made Virginia's mother unhappy.'

A 'Hush-sh-sh!' runs round the table; and Mr. Silver commences the beautiful chapter where Virginia gives food to the poor slave woman, and induces her master to pardon her. With what eagerness do the children listen to how Paul and Virginia are lost in the woods! They gather cresses with the young lovers, and they help Paul set fire to the palm-tree, and they see the Three Peaks in the distance. Then they come to the famous part where Paul and Virginia stand by the banks of a river, the waters of which roll foaming over a bed of rocks. 'The noise of the water frightened Virginia, and she durst not wade through the stream; Paul therefore took her up in his arms, and went thus loaded over the slippery rocks, which formed the bed of the river, careless of the tumultuous noise of its waters.' [Thinks Richard, 'O, how I wish that I were Paul, carrying Virginia over the river!'] '"Do not be afraid," cried Paul to Virginia; "I feel very strong with you. If the inhabitant of the Black River had refused you the pardon of his slave, I would have fought with him."' ['And so would I,' thinks Richard, clenching his fists.] Night comes, and the lovers are almost despairing. Profound silence reigns in the awful solitudes. Will they escape? Can they escape? Paul climbs to the top of a tree, and cries, 'Come, come to the help of Virginia!' But only the echoes answer him, and the faint sound of 'Virginia, Virginia!' wanders through the forest. Despairing, they try to comfort each other, and seek for solace in prayer. Hark! they hear the barking of a dog. 'Surely,' says Virginia, 'it is Fidèle, our own dog. Yes, I know his voice. Are we, then, so near home? At the foot of our own mountain?' So they are rescued, and this night's reading ends happily. The delight of the children, the intense interest with which they hang upon every word, cannot be described. Their attention is so thoroughly engrossed, that the figures of the young lovers might be living and moving before them. When Mr. Silver shuts the book, a sigh comes from the youthful audience. A pause ensues, and then the children talk unreservedly about the story, and what the end will be--all but Ruth, who is too young yet to form opinions. It is of course this and of course that with them all, and not one of them guesses the truth, or has any idea of the tragic ending of the story.

'Charley,' says little Ruth, 'you are like Paul.'

They all clap their hands in acquiescence.

'But where's my Virginia?' asks Charley.

'I'll be Virginia,' cries Ruth somewhat precociously; 'and you can carry me about where you like.'

They all laugh at this, and Ruth is quite proud, believing that she has distinguished herself. It is strange to hear the blind girl say, 'I can see Paul with Virginia in his arms.' And no doubt she can, better than the others who are blessed with sight. The three grown-up persons listen and talk among themselves, and now and then join in the conversation. The clock strikes--nine. It is a cuckoo-clock, and the children listen to the measured 'Cuckoo! Cuck-oo!' until the soulless bird, having, with an egregious excess of vanity, asserted itself nine times as the great 'I am' of all the birds in town or country, retires into its nest, and sleeps for an hour. Then a chapter from the Bible and prayers, and in the prayers a few words to the memory of two--a brother and a sister--who have gone from among them. For last year they were seven; now they are five. Their faces grow sad as the memory of their dear brother and sister comes upon them in their prayers, and 'Poor Archie!' 'Poor Lizzie!' hang upon their lips. The night's pleasures and duties being ended, the three youngest children go to bed, the last kind nod and smile being given to Ruth, sister to poor Blade-o'-Grass, who lingers a moment behind the others, and with her arm round Rachel's neck, cries 'Cuck-oo! Cuck-oo!' as her final good-night. But the proud bird in the clock takes no notice, and preserves a disdainful silence, although Ruth, as her custom is, waits a moment or two, and listens for the reply that does not come. Charley and Mary stop up an hour later than the others, reading; but before that hour expires, Mr. Merrywhistle bids his friends good-night, and retires.

[MR. MERRYWHISTLE MEETS THE QUEER LITTLE OLD MAN.]