"I don't know, sir," replied the lad; "but there's something 'up' in the composing-room. The men are all standing talking in a regular fluster."
"What about?"
"Ain't got a notion, sir; but they seem regular upset."
Curious to ascertain what was going on, Mr. Melladew strolled into the composing-room, and was struck by the sudden silence which ensued upon his entrance. It was all the more singular because Mr. Melladew, as he pushed the door open, heard the men speaking in excited voices, and had half a fancy that he heard his own name uttered in tones of pity. "Poor Melladew!" Yes, it was not a fancy. The words had been uttered at the moment of his entrance. The silence of the compositors, their pitying looks, confirmed it. But why should they speak of him as "poor Melladew" at a time when life had never been so bright and fair? What was the meaning of the pitying glances directed towards him? The composing-room, especially on Saturdays, was a scene of lively bustle and animation, but now the men were standing idle, stick in hand, at the corners of their frames, or tip-toeing over their cases, and the eyes of every man there were fixed upon Mr. Melladew. Had he been in trouble, had his wife or one of his darling daughters been ill, his thoughts would have immediately flown to his home, and he would have seen in the pitying glances of the compositors a sign of some dread misfortune; but in his happy mood he received no such impression.
"What on earth is the matter with you all?" he said in a light tone.
He saw the compositor who had snatched the slip of new matter from his desk, and before he could be prevented he took it from the man's hand.
The compositors found their voices.
"No, Mr. Melladew!" they cried. "No; don't, don't!"
"Nonsense!" he said, and keeping possession of the slip, he left the composing-room for his own.
"Go and get the copy," he said to the lad who had followed him.