The servant was human, and took advantage of the golden opportunity. If we had been in her place, and had “a young man,” we should probably have done the same. She did not have many holidays, and knowing that her services would not be required, and that her mistress and the lodger would not be home till early in the morning, she made an appointment with her “young man,” who treated her to the Alhambra. When the performances at the Alhambra were concluded, this young person and her young man indulged in supper, and, tempted to daring by the opportunity, she did not return to the house until an hour past midnight. She noticed nothing unusual when she entered; conscience-stricken at the late hour she did not light a candle, but thankful that her mistress had not returned, she crept down to her bedroom in the basement, and went to bed in the dark. She fell asleep at once, and we have the testimony of her mistress that the girl is an exceedingly heavy sleeper, and most difficult to wake. We ourselves have a servant—a most desirable creature, whom we are ready to part with on moderate terms—similarly afflicted. Thus it may be said that, for many mysterious hours, the only occupant of the house was the stranger who occupied the front drawing-room.
It was nearly four in the morning before the wedding guests, jaded with pleasure, found themselves in Great Porter Square. The wedding had been a jolly affair, and dancing had been prolonged beyond the anticipated hour of breaking up. Jaded as they were, the spirits of the little knot of merrymakers were not quite exhausted, and as they paused before the door of No. 119, with the morning’s sweet fresh light upon them, they laughed and sang, and so inspired the musician that he took his violin from its green baize bag and struck up a jig. With their tired feet moving to the measure they entered the house, the door of which was opened by the landlady with her private key; they tripped up the steps and lingered in the passage, dancing to the music. Exhilarated by the occasion they wound in and out along the narrow passage, until the wife of one of the lodgers suddenly uttered a shriek which drove the colour from their flushed faces.
“My God!” shrieked the terrified woman, “we are dancing in blood!”
[CHAPTER VII.]
IN WHICH THE “EVENING MOON” CONTINUES TO SPEAK ITS MIND.
It was fatally true. They were dancing in blood. The woman who made the awful discovery had white satin shoes on. As she uttered the appalling words she looked down at her feet, and, with a wild shudder, sank into her husband’s arms. He, overwrought with excitement, had scarcely sufficient strength to support her, and he would have allowed her to slip to the floor had he not, also, cast his eyes earthwards. Quickly he caught her to his breast, and, trembling violently, proceeded upstairs. The weight of his burden compelled him to hold on to the balustrade; but the moment he placed his hand on the polished rail, he screamed, “There’s been Murder done here!” And, shaking like a leaf, he retreated in haste till he reached the street door. Flinging it open, he rushed with his wife into the Square, and stood in the light of the sunrise, a picture of terror.
The other actors in the scene had borne appropriate parts in the tragic situation. For a little while they were paralyzed, and incapable of action. The streaming in of the daylight aroused them, and they looked about timidly. On the floor, stairs, and balustrade were marks of blood not yet quite dried, and they traced the crimson stains to the end of the passage, where it dipped into the narrow staircase which led to the basement. There being no natural means of lighting the stairway, this part of the house was usually lit up by a thin, funereal jet of gas, which burnt as sadly as if its home were a tomb. At present it was in darkness, the gas being turned off.