'I will, mother.' And the promise, given at such a time, sinks into my heart with the force of a sacred obligation.
Then my mother takes me into the kitchen, and gives me into the charge of Snaggletooth's wife, and steals away. Snaggletooth's wife begins to prattle to amuse me, and in a few minutes I ascertain that she in some way resembles Jane Painter; for--probably influenced by the appropriateness of the occasion for such narrations--she tells me stories in a low tone about the Ghost of the Red Barn, and the Cock-lane Ghost, and Old Mother Shipton. The old witch is a favourite theme with Snaggletooth's wife, and I hear many strange things. She says:
'One night Mother Shipton was in a terrible rage, and she told the grasshopper on the top of the Royal Exchange to jump over to the ball on St. Paul's Church steeple. And so it did. Soon after that, London was burnt to the ground.'
I muse upon this, and presently inquire: 'Was it an accident?'
'The fire? No; it was done on purpose.'
'Was it because the grasshopper jumped on to the steeple that London was set on fire?'
'Of course,' is the reply. 'That was Mother Shipton's spite.'
Snaggletooth's wife tells so many stories of ghosts and witches that the air smells of fire and brimstone, and I see the cat's tail stiffen and its eyes glow fearfully. Then I hear a cry from upstairs, and Snaggletooth's wife rises hurriedly, and looks about her with restless hands, and the whole house is in a strange confusion. Snaggletooth himself comes into the room, and as he whispers some consoling words to me--only the import of which I understand--his great tooth sticks out like a horn. He looks like a fiend.