From the first part of this conversation it will be gathered that Susan Taylor had left her home, and had chosen to keep her residence a secret from her family. She was not to blame for it; for she had been most unhappy in the family mansion of the Taylors. Although she earned her own living, and paid for her board and lodging, her father, a drunken, lazy mechanic, had lately been pestering her for small loans, to be spent, of course, at the public-house. These she could not afford to give him; and when he found that she would not assist him, he quarrelled with her. He twitted her about her ungainly person, jeered at her strange mannerisms, pricked her with domestic pins and needles, and made her life so miserable, that she was glad when the culminating quarrel gave her the opportunity to run away.

She had never had a friend. Nearly every girl has a girl-companion with whom she exchanges little confidences, and whom she consults as to the fashion of the new bonnet, and how it is to be trimmed, the pattern of the new dress, and how many flounces it is to have, the color of the new piece of ribbon, and how it should be worn, the personal appearance and intentions of the last new admirer, and how he is to be treated. Susan never had such a companion; worse than that, she never had a sweetheart. She had grown to woman's estate without ever having experienced the pleasures of courtship, either as a child or as a woman. No little boy had taken a liking to her when she was a little girl; and when she grew to be a young woman, no young man had cast a favorable eye upon her. Sooth to say, there was nothing singular in the circumstance; for she was as little attractive externally, as a young woman well could be.

If it were necessary to define and describe her with brevity, a happy definition and description might be given in two simple words--Joints and Knobs. Susan Taylor was all Joints and Knobs, from the crown of her head to the soles of her feet. There was not a straight line about her; every square inch of her frame was broken by a joint or intersected by a knob. Her face did not contain one perfect feature. Bones, with sharp rugged outlines, asserted themselves in her cheeks, in her chin, in her nose (most aggressively there), and in the arches of her eyes. Her shoulders were suggestive of nothing but salt-cellars; her fingers were covered with knuckles; her arms were all elbows; and her knees, as she walked, forced themselves into notice with offensive demonstrativeness. There was nothing round and soft about her. Every part of her was suggestive of Bone; she was so replete with mysterious and complicated angles that she might be said to resemble a mathematical torture. Her angular proportions, broken here by a joint, or intersected there by a knob, did not agree with one another. As not one of them would accept a subordinate position, they were necessarily on the very worst of terms: like a regiment in which every soldier insisted on being colonel, and struggled for the position. The result was Anatomical Confusion.

Cupid is popularly represented to be a mischievous young imp, who delights in tying persons together who are not in the least suited to each other, and as being so reckless and indiscriminate in the use of the metaphorical arrow, which he is everlastingly fixing to that metaphorical bow with such malicious nicety, that the right man seldom finds himself in the right place, and the right woman is similarly unfortunate. As a consequence of this eccentric and inhuman conduct, long men and short women and long women and short men, get absurdly matched, and the mental disparity is often found to be no less than the disparity in limb and bulk. But never, surely, did that tricksy youngster (who is so convenient to writers as a reference, and in various other ways, that they cannot be sufficiently grateful for his mythological existence) play a stranger prank than when he made Susan Taylor and Basil Kindred acquainted with each other. The evening on which Susan, for the first time, saw Basil Kindred act the Ghost scenes in "Hamlet," marked an era in her life not less important than that sad era which was commenced by her letting her brother Daniel fall from her arms out of the window on to the cruel stones. For if ever woman fell in love (which is so violently suggestive that it may well be doubted) with man, Susan Taylor, on that evening, fell in love with Basil Kindred.

But Susan was not the woman to exhibit her passion in words. In another fashion she did exhibit it: in the best fashion that devotion Can show itself--in deeds. She was not a cunning woman, nor a wise one either. Being from the very infirmities of her nature a kind of social outcast, she was not likely to consider what the world would say of any action of hers. And here was an anomaly; she was neither foolish enough nor wise enough to consider what the world would say; yet had she considered that her conduct was open to censure, she would not have swerved a hair's breadth because of the world's opinion; and this very independence proceeded not from a hardened nature, but from a nature utterly simple. So she did what a very considerable majority of the busy bees in this busy world would consider either a very foolish thing or some thing worse. When she left her home she rented a room in the miserable house in which Basil Kindred and his daughter resided. She did this because she loved him; and yet looking for no return of her passion, she did it so that she might make herself useful to him and to Minnie. The living she earned as a dressmaker was a poor and a scanty one enough; but she managed, out of her small earnings, to contribute some little towards the comfort of the couple whose acquaintance she had so strangely made.

Joshua was always certain of a warm welcome from Basil and Minnie; an affectionate intimacy had sprung up between them, and he had spent many a pleasant hour in their company. But in the first flush of their intimacy he had been sorely puzzled by Basil Kindred's strange ways and oft-times stranger remarks; the wandering restlessness of his eyes, and the no less wandering nature of his speech, engendered grave doubts whether he was quite right in his mind. And as Joshua looked from Basil's fine mobile face to that of his daughter, so like her father's in all its grand and beautiful outlines, it distressed him to think that her intellect also might be tainted with her father's disease. It might not be; it might be merely the want of proper moral training that induced her to be so strangely incoherent, so reckless and defiant, and yet at the same time so singularly tender in her conduct. With Minnie every thing was right or wrong according to the way in which it affected herself. She recognized no general law as guiding such and such a principle or sentiment. There was this similarity and this difference between Minnie and Susan: they both ignored the world's opinion and the world's judgment of their actions. But where Susan would be meek, Minnie would be defiant; where Susan would offend through ignorance, Minnie would offend consciously, and be at the same time ready to justify herself and argue the point; which latter she would do, of course, only from her point of view. Supposing that it could be reduced to weights and measures, Minnie would have been content to place herself and her affections on one side of the scale, and all the world on the other, with the positive conviction that she would tip the scale.

She was very affectionate and docile to Joshua; she looked up to him with a kind of adoration, and this tacit acknowledgment of his superiority was pleasing to his vanity. He was her hero, and she worshipped him, and showed that she did so; and he, too, dangerously regarding her as a child, received her worship, and was gratified by it. And so she drifted.

Now as he entered the room, Minnie sprang towards him with a joyous exclamation, and taking his hand, held it tightly clasped in hers as she led him to a seat. The room was not so bare of furniture as it was when he first saw it. He looked round for Basil Kindred.

"Father is not at home, Joshua," said Minnie. "He will be in soon, I dare say." She pushed him softly into a chair, and sat on the ground at his feet. "I am so glad you have come!"

"But I don't think I have time to stay."