"How much?" asked Felix.
"Sketches are a drug," said the shopkeeper, fencing.
"I ought to have taken them to a chemist, then," observed Felix.
The shopkeeper stared; he had no sense of humour.
"I took seven-and-six for the pair," said the shopkeeper, and then defended himself, without being accused, by adding, "and a good price too, I consider it."
Felix looked at the shopkeeper with twinkling eyes.
"Thank you, good sir," he said; "I owe you one."
"Don't mention it," replied the shopkeeper, thinking he had got hold of a queer customer; "here's your share--three-and-ninepence."
Felix received it, and looked at the shopkeeper with an odd smile on his lips. And when he was in his room, paid the man the one he owed him by drawing caricatures of him, and suddenly developed a talent which, but for this small circumstance, might have been hidden under a bushel. With a fine sense of humour (which he was not afraid of displaying under the shopkeeper's very nose, seeing that the man did not possess the discriminative affection), Felix, the following day, took to the shop a caricature of the shopkeeper himself, in crayons, with which his patron was so tickled, not seeing the joke, that he bought it out of hand, and Felix was the richer by a crown. The joke, however, told against Felix in a certain way, for the shopkeeper would have readily given more for it; but then Felix was conscientious, and did not set too high a price upon the man. He dashed off a couple of other caricatures, and sold them likewise. The scene of one was laid at a narrow luncheon-counter which he had visited. There were three barmaids serving, but only the backs of their heads could be seen. There is no need to say that this back view was imposing. The comicality of the sketch was in the faces of the eaters, with which the narrow counter was lined. They were depicted eating their luncheons after the fashions of their various temperaments. Some were solemn, some were farcical; the face of one was buried in a pint-pot: all were grotesque. The scene of the other was a street on a rainy day. A languid swell, six feet high, was languidly holding an umbrella over his head, and a street Arab, two feet and a half high, was running by his side, crying, "Shall I 'old yer umberellar up, sir?" If Felix had been fertile in subjects, he might have done well in this line; but it was not every day that he could get a new idea, and he was above copying old ones. Then came the incident of the fire, and the acceptance of his account of it by the newspaper. He was fortunate in picking up other incidents, and made capital out of them. He grew hopeful, and began to make acquaintances. No money had ever been so sweet to him as the little money he was earning.
About this time came a rare stroke of good fortune. Mention has been made of a friend with whom he had travelled abroad, and who came home with him. Felix was in the gallery of a theatre one night, when he saw this friend in the stalls. Their eyes met, and they recognised each other. Felix made no sign, the chasm between stalls and gallery was so deep and wide. But when the piece was over Felix hurried to the door of the theatre, wondering if his friend would try to find him out. By good chance they met in the crowd; his friend had been hunting for him.