MASTER FINK HAS A SINGULAR DREAM.
But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep. Then we are the slaves, and imagination is the master, the magician which plays us the most extravagant pranks. It is like sitting in a theatre, witnessing the representation of a play which sways us this way and that, which makes us laugh, which makes us weep, which makes us enjoy, which makes us suffer.
On the night following Louisa's departure I dreamed of the old days and of Louisa in the pride of her beauty. I was sitting on my low stool, soling and heeling her boots, golden boots, with jewels round the eyelet holes. A silver hammer was in my hand, and as I tapped and tapped and drove in the shining nails, musical notes rang out.
"Louisa is yours she loves you, loves you, loves you!"
And then the linnet which hung above me in a crystal cage piped sweetly,
"Let me out--let me out!"
I opened the door of the cage, and straight through the window flew the little bird--through the open window, from which I saw the church and the churchyard so closely associated with one memorable Sunday in my life. And who should come dancing towards me over the tombstones but Louisa, dressed in the self-same dress she had worn on that Sabbath, and with the self-same bit of ribbon at her throat. The linnet, wheeling round and round her pretty head, encircled it with thin lines of light, and still in the musical ringing of the silver hammer I heard the song,
"She loves you, loves you, loves you!"
Suddenly we were walking in a great field of flowers, and I was gazing in rapture at Louisa's golden boots. A thousand linnets were singing above us, the flowers were whispering around us, Louisa's hand was resting in mine.
"Then it is all a dream these eighteen years," I said to her.