Certain pictures here present themselves in the shape of a medallion.

In the centre is the portrait of a beautiful girl-woman, as tall to many a man with an eye for beauty as Rosalind was to Orlando; with limbs perfectly moulded; with white and shapely hands; with flaxen wavy hair and blue eyes tempered by a shade of silver grey; with teeth that are almost transparent in their pearliness, and in whose fair face youth's roses are blooming. This is the Duchess of Rosemary Lane, in the springtime of her life.

Around the portrait of this girl-woman are certain others, associated with her by sympathetic links, not all of which are in active play or in harmony with her being.

The picture of one in whose cheeks, although she is but little over twenty years of age, no roses are blooming. Her cheeks are sallow, and wanting in flesh, her limbs are thin and ungraceful, her long black hair has not a wave in it, her hands are large and coarse from too much work. But her eyes are beautiful, and have in them the almost pathetic light which is frequently seen in the eyes of a faithful dog. This is Sally, grown to womanhood.

The picture of a working man, with large features, overhanging forehead, and great grey eyes, all out of harmony with one another. His hands are hard and horny, his chin is unshaven, and his hair is almost white. This is Seth Dumbrick, going down the hill of life.

The picture of a woman, working in an attic in a poor neighbourhood, within a mile of Rosemary Lane. Her fingers are long and supple, streaks of silver are in her hair, and she has "quite a genteel figure," according to the dictum of her neighbours, who are led to that opinion by the circumstance of the woman being thin and graceful. She is cunning with the needle, as the saying is, but not so cunning as to be able by its aid to butter her bread at every meal; therefore, very often she eats it dry. She is not contented; she is not resigned; but she does not openly repine. She is merely passive. The fire and enthusiasm of life are not dead within her soul, but by the exercise of a hidden force, she keeps all traces of it from the eye of man; she has dreams, but no human being shares them with her, or knows of them. She speaks in a calm even tone, and her voice is low and sweet, but if it expresses feeling or passion, the expression springs from a quality belonging to itself, and not from the revealed emotions of the speaker. She works hard from morning till night in a dull, listless fashion, performing her task conscientiously, and receiving at the end of the week, without thanks or murmurs, the pitiful payment for so many thousands of yards of stitches from the hands of a man who lives in a great house in Lancaster Gate and keeps a score of servants, and a dozen horses in his town stables. This man is a contractor, and he fattens on misery. He will undertake to clothe twenty thousand men in a month, and patient, weak-eyed women who can scarcely get shoes to their feet are working for him, upon starvation wages, through the weary watches of the night. From their poverty and misery comes the wherewithal to pay for his wine and his horses and his fine linen. He was not born to riches; in his earlier years he experienced severe hardships, and frequently had to live on a crust. Those times are gone, never to return, and, strange to say, he has, in his present high state, no feeling of compassion for his once comrades who are suffering as he suffered, and who cannot escape from their bondage. Then he was glad to eat his bread and meat, when he could get it, with the help of a pocket-knife and his fingers; now he can dine off gold plate if he chooses. There is a well-known saying that there is a tide in the affairs of man, which taken at the flood, leads on to fortune. It is a popular fallacy. Such a tide, with such a golden prize in its flood, comes to not one man in a thousand, but it came to the contractor for whom this woman works, and he took it at its flood. He worked his way from small contracts to large, from large to larger. Having been ground down himself when he was a young man, his sole aim in the execution of his contracts was to grind others down, so that his margin of profit would be broader. It was the truest political economy. Buy in the cheapest market. And if you can by any means in your power,--by any system of grinding-down, by any exercise of terrorism over helpless people who, being unable without your aid to obtain half a loaf in payment for their labour, snatch at the quarter of a loaf you hold out to them (being from necessity compelled to keep some life in their bodies)--if you can by any of these means cheapen still further the cheapest market, do so. Success will attend you, and the world, worshipping success, will look on and approve. An article is only worth what it will fetch in the market, and labour is worth no more than it receives. Such, for instance, as the labour of this needlewoman, who works for sixteen hours out of the twenty-four, and cannot get butter for her bread. Meantime, while she, the type of a class, labours and starves, the contractor, out of her weary stitches, shall die worth a plum, and a costly tombstone shall record his virtues. He pays regularly, to be sure, but you must not defraud him of a stitch. He gives the women constant employment, for in addition to being a Government contractor, he is a large exporter of ready-made clothing. She has worked for him for twelve years. Presenting herself one morning in answer to an advertisement for needlewomen, in company with a hundred other females who had labour to sell and no bread to eat, he happened to pass through the office when her turn came to be called. Although she had been one of the earliest arrivals among the crowd of anxious applicants, she was the last of them all. Not having the strength to push her way to the front, she had been hustled to the rear, and bore the unfair treatment without a murmur. It was the way of the world. The weakest to the wall.

"Name?" said the clerk.

"Mrs. Lenoir."

The contractor paused at the desk by the side of his clerk, and looked at the applicant in a careless way, perhaps attracted to her because her voice was softer than he was accustomed to hear from his workpeople.

"French?" inquired the clerk.