O. Sinister head in profile; nose, lips, eyes, and ears expressed by duplicate lines; tracery or ornamentation in front of the face, and profuse rolls of curling hair.
R. Figure of a horse, extravagantly drawn and decorated, and with ornaments or gear of some kind above and below. Often the mane of the horse is arranged and curled, as if specially so dressed for parade or show, and almost suggests decorations as still sometimes adopted by American Indian or other barbarian chiefs. There are reins, too, in some instances, and these are sometimes held by a rough representation of an arm and hand. The legs of the horse always indicate gallopping. The symbols underneath it are usually either (1) the wild boar, as perhaps indicative of the most important local wild beast in the chase; (2) the chariot wheel, as representing that the horse would draw this vehicle, there not being room to show the whole on the coin fully and in rear of the horse; (3) the implement described by Sir John Evans[B] as a "lyre-shaped object." It would be most interesting to ascertain what this instrument—which is frequently delineated—may really be. It might be a musical production of the bagpipe character, or a head-dress, or a warlike weapon. An extensive museum or collection of very ancient implements should solve the problem.
As regards the metal of which the coins are made, Sir John Evans, at page 128 of his work, states as follows:—
"These coins are formed of billon or base silver, which appears to vary considerably in the amount of its alloy. From an analysis made by De Caylus (Donop. Médailles Gallo Gäeliques, page 24) of two coins, their compositions were found to be as follows:—
| A. | B. | |
| Silver | ·0413 | ·1770 |
| Copper | ·8414 | ·7954 |
| Tin | ·1166 | ·0265 |
| Iron | ·0005 | ·0009 |
| Gold | ·0002 | ·0002 |
| ——— | ——— | |
| 1·0000 | 1·0000 |
"The weight of the larger pieces ranges from 80 to 105 grains, and that of the smaller coins is about 25 grains."
It will be observed from the above analysis how considerably the proportions of the white metals, as silver and tin, vary in these coins, and this variation, as regards metallic composition, is so universal that amongst a large number in the same "find" you will even, on cleaning the coins, see some of them look as if made of silver, and the colour vary, until you reach some that appear hardly better than wholly of copper. It would be very interesting to know where the metal or ore for these coinages was procured from. There must have been a natural mixture of most of the metals.
I have looked through a "find" of more than 200 Jersey Gaulish coins, which are in the possession of R. R. Lemprière, Esq. They were turned up by the plough on his manor of Rozel; and whatever covering had enclosed them had either gone to decay, or become broken up, as they were quite loose. He had cleaned a few of them. Even to the eye the metallic composition varied greatly—some being of the colour of silver, and some lowering to that of copper. In this lot there were but two of the smaller size of 25 grains, and I think that proportion may perhaps give some indication as to the relative rarity of the two coins; for at a rough estimate one seems to meet only about one in a hundred, which is of the smaller kind. The larger Gaulish coins are common; large "finds" of the types formerly used in the Channel Islands having been made on the adjacent mainland of Normandy and Brittany, and also on the south coast of England.
Sir John Evans mentions (page 128) the hoard at Mount Batten, near Plymouth (Numismatic Journal, Vol. I., page 224), and that in the Arch. Assoc. Journal, Vol. III., page 62, is an account of a find of them at Avranches, written by Mr. C. Roach Smith; also in 1820 nearly 1,000 were discovered in Jersey; and previously, in 1787, there had been a find in that island. The manor of Rozel seems to have been most rich in furnishing specimens. In addition to the number in possession of the seigneur of Rozel, as before referred to, there are from that district of the island collections at the St. Helier Museum, and with Lady Marett, Wm. Nicolle, Esq., Dr. Le Cronier, E. C. Cable, Esq., and others.