“Manley! Ah-h-h—” It was not pleasant—that gurgling cry, as she straggled to get free.
He had the look of a maniac as he pressed his fingers into her throat and glared down into her purpling face.
With a sudden impulse he cast her limp form violently from him. She struck against a chair, fell from that to the floor, and lay a huddled heap, her crisp, ruffled skirt just giving a glimpse of tiny, half-worn slippers, her yellow hair fallen loose and hiding her face.
He stared down at her, but he felt no remorse—she had jeopardized his liberty, his standing among men. A cold horror caught him when he thought of the calf turned loose on the range, his brand on its ribs. He rushed in a panic from the kitchen, flung himself into the saddle, and went off across the coulee, whipping both sides of his horse. She had not told him—indeed, he had not asked her—which way the cow had gone, but instinctively he rode to the west, the direction from which he had driven the calves. One thought possessed him utterly; he must find that calf.
So he rode here and there, doubling and turning to search every feeding herd he glimpsed, fearing to face the possibility of failure and its inevitable consequence.
The cat with the white spots on its sides—Val called her Mary Arabella, for some whimsical reason—came into the kitchen, looked inquiringly at the huddled figure upon the floor, gave a faint mew, and went slowly up, purring and arching her back; she snuffed a moment at Val's hair, then settled herself in the hollow of Val's arm, and curled down for a nap. The sun, sliding up to midday, shone straight in upon them through the open door.
Polycarp Jenks, riding that way in obedience to some obscure impulse, lifted his hand to give his customary tap-tap before he walked in; saw Val lying there, and almost fell headlong into the room in his haste and perturbation. It looked very much as if he had at last stumbled upon the horrible tragedy which was his one daydream. To be an eyewitness of a murder, and to be able to tell the tale afterward with minute, horrifying detail—that, to Polycarp, would make life really worth living. He shuffled over to Val, pushed aside the mass of yellow hair, turned her head so that he could look into her face, saw at once the bruised marks upon her throat, and stood up very straight.
“Foul play has been done here!” he exclaimed melodramatically, eying the cat sternly. “Murder—that's what it is, by granny—a foul murder!”
The victim of the foul murder stirred slightly. Polycarp started and bent over her again, somewhat disconcerted, perhaps, but more humanly anxious.
“Mis' Fleetwood—Mis' Fleetwood! You hurt? It's Polycarp Jenks talkin' to you!” He hesitated, pushed the cat away, lifted Val with some difficulty, and carried her into the front room and deposited her on the couch. Then he hurried after some water.