“Happy!” she echoed joyously. “Could one be anything else, in such a country? And then—you don't know Manley, you see. It's horribly bad form, and undignified and all that, to prate of one's private affairs, but I just can't help bubbling over. I'm not looking for heaven, and I expect to have plenty of bumpy places in the trail—trail is anything that you travel over, out here; Manley has coached me faithfully—but I'm going to be happy. My mind is quite made up. Well, good-by—I'm so glad you happened to be on this train, and I wish I might meet you again. Isn't it a funny little depot? Oh, yes—thank you! I almost forgot that umbrella, and I might need it. Yes, I'll write to you—I should hate to drop out of your mind completely. Address me Mrs. Manley Fleetwood, Hope, Montana. Good-by—I wish—”
She trailed off down the aisle with eyes shining, in the wake of the grinning porter. She hurried down the steps, glanced hastily along the platform, up at the car window where the faded little school teacher was smiling wearily down at her, waved her hand, threw a dainty little kiss, nodded a gay farewell, smiled vaguely at the conductor, who had been respectfully pleasant to her—and then she was looking at the rear platform of the receding train mechanically, not yet quite realizing why it was that her heart went heavy so suddenly. She turned then and looked about her in a surprised, inquiring fashion. Manley, it would seem, was not at hand to welcome her. She had expected his face to be the first she looked upon in that town, but she tried not to be greatly perturbed at his absence; so many things may detain one.
At that moment a young fellow, whose clothes emphatically proclaimed him a cowboy, came diffidently up to her, tilted his hat backward an inch or so, and left it that way, thereby unconsciously giving himself an air of candor which should have been reassuring.
“Fleetwood was detained. You were expecting to—you're the lady he was expecting, aren't you?”
She had been looking questioningly at her violin box and two trunks standing on their ends farther down the platform, and she smiled vaguely without glancing at him.
“Yes. I hope he isn't sick, or—”
“I'll take you over to the hotel, and go tell him you're here,” he volunteered, somewhat curtly, and picked up her bag.
“Oh, thank you.” This time her eyes grazed his face inattentively. She followed him down the rough steps of planking and up an extremely dusty road—one could scarcely call it a street—to an uninviting building with crooked windows and a high, false front of unpainted boards.
The young fellow opened a sagging door, let her pass into a narrow hallway, and from there into a stuffy, hopelessly conventional fifth-rate parlor, handed her the bag, and departed with another tilt of the hat which placed it at a different angle. The sentence meant for farewell she did not catch, for she was staring at a wooden-faced portrait upon an easel, the portrait of a man with a drooping mustache, and porky cheeks, and dead-looking eyes.
“And I expected bearskin rugs, and antlers on the walls, and big fireplaces!” she remarked aloud, and sighed. Then she turned and pulled aside a coarse curtain of dusty, machine-made lace, and looked after her guide. He was just disappearing into a saloon across the street, and she dropped the curtain precipitately, as if she were ashamed of spying. “Oh, well—I've heard all cowboys are more or less intemperate,” she excused, again aloud.