“I'll take you over—I was just going, anyway,” He assured her, his eyes dwelling upon her rather intently.
“Oh—I wanted Manley. I—I hate to go—like this, it seems so—so queer, in this place. At first I—I thought it would be a joke, but it isn't; it's silly and,—and ill-bred. You—everybody will be shocked, and—”
Kent took a step toward her, where she was shrinking against the stairway. Once before she had lost her calm composure and had let him peep into her mind. Then it had been on account of Manley; now, womanlike, it was her clothes.
“You couldn't be anything but all right, if you tried,” he told her, speaking softly. “It isn't silly to look the way the Lord meant you to look. You—you—oh, you needn't worry—nobody's going to be shocked very hard.” He reached out and took the violin from her; took also her arm and opened the outer door. “You're late,” he said, speaking in a more commonplace tone. “You ought to have overshoes, or something—those white slippers won't be so white time you get there. Maybe I ought to carry you.”
“The idea!” she stepped out daintily upon the slushy walk.
“Well, I can take you a block or two around, and have sidewalk all the way; that'll help some. Women sure are a lot of bother—I'm plumb sorry for the poor devils that get inveigled into marrying one.”
“Why, Mr. Burnett! Do you always talk like that? Because if you do, I don't wonder—”
“No,” Kent interrupted, looking down at her and smiling grimly, “as it happens, I don't. I'm real nice, generally speaking. Say! this is going to be a good deal of trouble, do you know? After you dance with hubby, you've got to waltz with me.”
“Got to?” Val raised her eyebrows, though the expression was lost upon him.
“Sure. Look at the way I worked like a horse, saving your life—and the cat's—and now leading you all over town to keep those nice white slippers clean! By rights, you oughtn't to dance with anybody else. But I ain't looking for real gratitude. Four or five waltzes is all I'll insist on, but—” His tone was lugubrious in the extreme.