Mary Hope wondered how in the world they were all going to find room inside the schoolhouse to dance. She had been frugal in the matter of music, dreading to spend any money in hiring professional musicians, lest she might not have enough people to justify the expense. Now she wished nervously that she had done as Lance Lorrigan had done, and brought musicians from Lava. Of course, there had been no piano when Lance gave his party, which was different. She herself meant to play, and Art Miller had brought his fiddle, and Jennie had volunteered to “chord” with him. But, Mary Hope felt much nervous apprehension lest these Pocatello and Lava people should think it was just Scotch stinginess on her part.

Late in the afternoon a few of the ranchers rode hastily homeward to “do the chores,” but the Lava and Pocatello crowd remained, and began to drift up to the schoolhouse and drum on the piano that was actually going to pay for itself and free Mary Hope’s pride from its burden.

By sundown a dozen energetic couples were 209 waltzing while a Pocatello dentist with a stiff, sandy pompadour chewed gum and played loudly, with much arm movement and very little rhythm; so very little rhythm that the shuffling feet frequently ceased shuffling, and expostulations rose high above his thunderous chords.

By dusk the overworked ranch women had fed the last hungry mouth and put away the fragments of home-baked cakes and thick sandwiches, and were forming a solid line of light shirtwaists and dark skirts along the wall. The dance was really beginning.

As before, groups of men stood around outside and smoked and slapped at mosquitoes––except that at Lance’s party there had been no mosquitoes to slap––and talked in undertones the gossip of the ranges. If now and then the name of Lorrigan was mentioned, there was no Lorrigan present to hear. At intervals the “floor manager” would come to the door and call out numbers: “Number one, and up to and including sixteen, git your pardners fer a two-step!” Whereupon certain men would pinch out the glow of their cigarettes and grind the stubs into the sod under their heels, and go in to find partners. With that crowd, not all could dance at once; Mary Hope remembered pridefully that there had been no dancing by numbers at the party Lance Lorrigan gave.

What a terrible dance that had been! A regular rowdy affair. And this crowd, big as it was, 210 had as yet shown no disposition to rowdyism. It surely did make a difference, thought Mary Hope, what kind of people sponsored an entertainment. With the Devil’s Tooth outfit as the leaders, who could expect anything but trouble?

Then she caught herself thinking, with a vague heaviness in her heart, how Lance had taken her away from that other dance; of that long, wonderful, silent ride through the starlight; how careful he had been of her––how tender! But it was only the way he had with him, she later reminded herself impatiently, and smiled over her shoulder at the whirling couples who danced to the music she made; and thought of the money that made her purse heavy as lead, the money that would wipe out her debt to the Lorrigans,––to Lance, if it really were Lance who had bought the piano.

A faint sound came to her through the open window, the rattle of a wagon coming down the hill in the dark. More people were coming to the dance, which meant more money to give to the Lorrigans. Mary Hope smiled again and played faster; so fast that more than one young man shook his head at her as he circled past, and puffed ostentatiously, laughing at the pace she set. She had a wild vision of other dances which she would give––Labor Day, Thanksgiving, Christmas, New Year’s––and pay the Lorrigans for everything they had done; for the books, for the schoolhouse, everything. She felt that then, and then only, 211 could she face Lance Lorrigan level-eyed, cool, calm, feeling herself a match for him.

The rattle of the wagon sounded nearer, circled the yard, came in at the gate. Mary Hope was giving the dancers the fastest two-step she could play, and she laughed aloud. More people were coming to the dance, and there might not be coffee and sandwiches enough at midnight,––she had over three hundred dollars already.

The dancers whirled past, parted to right and left, stopped all at once. Mary Hope, still playing, looked over her shoulder––into the dark, impenetrable gaze of Tom Lorrigan, standing there in his working clothes, with his big, black Stetson on his head and his six-shooter in its holster on his hip. Behind him Mary Hope saw Al and Duke and Belle, and behind them other Devil’s Tooth men, cowboys whom she only knew slightly from meeting them sometimes in the trail as she rode to and from school. The cowboys seemed to be facing the other way, holding back the crowd near the door.