At the last, Tom Lorrigan himself went back after the stool, and the room silenced so that his footsteps sounded loud on the empty floor. He looked at Mary Hope, looked at her mother, looked at the huddled, whispering women, the gaping children. He swung out of his course and slipped one arm around Belle and so led her outside, the stool swinging by one leg in the other hand.
“A painted Jezebel!” Belle said under her breath when they were outside the ring of light. “My God, Tom, think of that!”
Mary Hope had never in her life suffered such humiliation. It seemed to her that she stood disgraced before the whole world, that there was no spot wherein she might hide her shame. Her mother was weeping hysterically because she had been “slappit by the painted Jezebel” and because Aleck was not there to avenge her. The Pocatello and Lava crowd seemed on the point of leaving, and were talking very fast in undertones that made Mary Hope feel that they were talking about her. The rattle of the Lorrigan wagon hauling the piano away, the click of the horses’ feet as the Devil’s Tooth riders convoyed the instrument, made her wince, and want to put her palms over her ears to shut out the sound of it.
But she was Scotch, and a Douglas. There was no weak fiber that would let her slump before this emergency. She went back to the little platform, stood beside the desk that held the globe and the 216 dictionary and a can of flowers, and rapped loudly with the ruler from the Pocatello hardware store. By degrees the room ceased buzzing with excited talk, the shuffling feet stood still.
“I am very sorry,” said Mary Hope clearly, “that your pleasure has––has been interrupted. It seems there has been a misunderstanding about the piano. I thought that I could buy it for the school, and for that reason I gave this dance. But it seems––that––I’m terribly sorry the dance has been spoiled for you, and if the gentlemen who bought tickets will please step this way, I will return your money.”
She had to clench her teeth to keep her lips from trembling. Her hands shook so that she could scarcely open her handbag. But her purpose never faltered, her eyes were blue and sparkling when she looked out over the crowd. She waited. Feet scuffled the bare floor, voices whispered, but no man came toward her.
“I want to return your money,” she said sharply, “because without the piano I suppose you will not want to dance, and––”
“Aw, the dickens!” cried a big, good-natured cowpuncher with a sun-peeled nose and twinkly gray eyes. “I guess we all have danced plenty without no piano music. There’s mouth harps in this crowd, and there’s a fiddle. Git yore pardners for a square dance!” And under his breath, to his immediate masculine neighbors he added: 217 “To hell with the Lorrigans and their piano!”
Mary Hope could have hugged that cowpuncher who hastily seized her hand and swung her into place as the first couple in the first set.