"Maybe you have noticed that when there was any real riding, I've had the Injuns do it. And do you think I've been driving that stagecoach hell-bent from here to beyond because I'd no other way to kill time? Wasn't another darned man in the outfit I'd trust, that's why. If I take the Indians back, I've got to have some real boys." Luck's voice was plaintive, and a little bit desperate.
"Well, dammit, have your real boys! I never said you shouldn't. Weed out the company to suit yourself. You'll have to take the Injuns back; nobody else can handle the touch-me-not devils. You can lay off the company if you want to, and while you're up there pick up a bunch of cowboys to suit you. You're making good, Luck; don't take it that I'm criticizing anything you've done or the way you did it. You've been turning out the best Western stuff that goes on the screen; anybody knows that. That isn't the point. We just simply can't afford to keep those Indians any longer without retrenching on something else that's a lot more vital. You know what they cost as well as I do; you know what present conditions are. Figure it out for yourself."
"I don't have to," Luck retorted in a worried tone. "I know what we're up against. I know we ought to give them up—but I sure hate to do it! Lor-dee, but I can do things with that bunch! Remember Red Brother?" Luck was off on his hobby, the making of Indian pictures. "Remember the panoram effect I got on that massacre of the wagon train? Remember the council-of-war scene, and the close-up of Young-Dog-Howls-At-The-Moon making his plea for the lives of the prisoners? And the war dance with radium flares in the camp fires to give the light-effect? That film's in big demand yet, they tell me. I'll never be able to put over stuff like that with made-up actors, Martinson. You know I can't."
"I don't know; you're only just beginning to hit your gait, Luck," the manager soothed. "You have turned out some big stuff,—some awful big stuff; but at that you're just beginning to find yourself. Now, listen. You can have your 'real boys' you're always crying for. I can see what you mean when you pan these fellows you call Main Street cowboys. What you better do is this: Close down the company for two weeks, say. Keep on the ones you want, and let the rest out. And take these Injuns home, and then get out after your riders. Numbers and salaries we'll leave to you. Go as far as you like; it's a cinch you'll get what you want if you're allowed to go after it."
So here was Luck, arriving in due time at the railroad. He said good-by to Young-Dog-Howls-At-The-Moon who had ridden with him, and whose kingly bearing and clean-cut features and impressive pantomime made him a popular screen-Indian, and sat down upon a baggage truck to smoke a cigarette while he waited for the westbound train.
Young-Dog-Howls-At-The-Moon he watched meditatively until that young man had bobbed out of sight over a low hill, the pony Luck had ridden trailing after at the end of the lead-rope. Luck's face was sober, his eyes tired and unsmiling. He had done that much of his task: he had returned the Indians, and automatically wiped a very large item of expense from the accounts of the Acme Film Company. He did not like to dwell, however, on the cost to his own pride in his work.
The next job, now that he was actually face to face with it, looked not so simple. He was in a country where, a few years before, his quest for "real boys"—as he affectionately termed the type nearest his heart—would have been easy enough. But before the marching ranks of fence posts and barbed wire, the real boys had scattered. A more or less beneficent government had not gathered them together, and held them apart from the changing conditions, as it had done with the Indians. The real boys had either left the country, or had sold their riding outfits and gone into business in the little towns scattered hereabouts, or else they had taken to farming the land where the big herds had grazed while the real boys loafed on guard.
Luck admitted to himself that in the past two years, even, conditions had changed amazingly. Land was fenced that had been free. Even the reservation was changed a little. He threw away that cigarette and lighted another, and turned aggrievedly upon a dried little man who came up with the open expectation of using the truck upon which Luck was sitting uncomfortably. There was the squint of long looking against sun and wind at a far skyline in the dried little man's face. There was a certain bow in his legs, and there were various other signs which Luck read instinctively as he got up. He smiled his smile, and the dried little man grinned back companionably.
"Say, old-timer, what's gone with all the cattle and all the punchers?" Luck demanded with a mild querulousness.
The dried little man straightened from the truck handles and regarded Luck strangely.