Lone straightened in the saddle. "You better come clean, Swan, and tell the whole thing. What was it? Don't talk in circles. What words did you feel—in your brain?" In spite of himself, Lone felt as he had when the girl had talked to him and called him Charlie.
Swan closed the gate behind him with steady hands. His lips were pressed firmly together, as if he had definitely made up his mind to something. Lone was impressed somehow with Swan's perfect control of his speech, his thoughts, his actions. But he was puzzled rather than anything else, and when Swan turned, facing him, Lone's bewilderment did not lessen.
"I'll tell you. It's when I'm sitting down to eat my supper. I'm just reaching out my hand like this, to get my coffee. And something says in my head, 'It's a lie. I don't ride backwards. Go look at my saddle. There's blood——' And that's all. It's like the words go far away so I can't hear any more. So I eat my supper, and then I get the lantern and I go look. You come with me, Lone. I'll show you."
Without a word Lone dismounted and followed Swan into a small shed beside the stable, where a worn stock saddle hung suspended from a crosspiece, a rawhide string looped over the horn. Lone did not ask whose saddle it was, nor did Swan name the owner. There was no need.
Swan took the saddle and swung it around so that the right side was toward them. It was what is called a full-stamped saddle, with the popular wild-rose design on skirts and cantle. Much hard use and occasional oilings had darkened the leather to a rich, red brown, marred with old scars and scratches and the stains of many storms.
"Blood is hard to find when it's raining all night," Swan observed, speaking low as one does in the presence of death. "But if somebody is bleeding and falls off a horse slow, and catches hold of things and tries like hell to hang on——" He lifted the small flap that covered the cinch ring and revealed a reddish, flaked stain. Phlegmatically he wetted his finger tip on his tongue, rubbed the stain and held up his finger for Lone to see. "That's a damn funny place for blood, when a man is dragging on the ground," he commented drily. "And something else is damn funny, Lone."
He lifted the wooden stirrup and touched with his finger the rowel marks. "That is on the front part," he said. "I could swear in court that Fred's left foot was twisted—that's damn funny, Lone. I don't see men ride backwards, much."
Lone turned on him and struck the stirrup from his hand. "I think you better forget it," he said fiercely. "He's dead—it can't help him any to——" He stopped and pulled himself together. "Swan, you take a fool's advice and don't tell anybody else about feeling words talk in your head. They'll have you in the bug-house at Blackfoot, sure as you live." He looked at the saddle, hesitated, looked again at Swan, who was watching him. "That blood most likely got there when Fred was packing a deer in from the hills. And marks on them old oxbow stirrups don't mean a damn thing but the need of a new pair, maybe." He forced a laugh and stepped outside the shed. "Just shows you, Swan, that imagination and being alone all the time can raise Cain with a fellow. You want to watch yourself."
Swan followed him out, closing the door carefully behind him. "By golly, I'm watching out now," he assented thoughtfully. "You don't tell anybody, Lone."
"No, I won't tell anybody—and I'd advise you not to," Lone repeated grimly. "Just keep those thoughts outa your head, Swan. They're bad medicine."