Jase, thus deserted, went shambling back to the cellar and fell to sprouting potatoes with what might almost be termed industry.
It pained Jase later to discover that Marthy was not interested in the open door, but in the very small heap of potatoes which he had "sprouted" that afternoon. There was other work to be done in the Cove, and there were but two pairs of hands to do it; that one pair was slow and shiftless and inefficient was bitterly accepted by Marthy, who worked from sunrise until dark to make up for the shirking of those other hands.
It was the trail experience over again, and it was an experience that dragged through the years without change or betterment. Marthy wanted to "get ahead." Jase wanted to sit in the sun with his knees drawn up, just—I don't know what, but I suppose he called it thinking. When he felt unusually energetic, he liked to dangle an impaled worm over a trout pool. Theoretically he also wanted to get ahead and to have a fine ranch and lots of cattle and a comfortable home. He would plan these things sometimes in an expansive mood, whereupon Marthy would stare at him with her hard, contemptuous look until Jase trailed off into mumbling complaints into his beard. He was not as able-bodied as she thought he was, he would say, with vague solemnity. Some uh these days Marthy'd see how she had driven him beyond his strength.
When one is a Marthy, however, with ambitions and a tireless energy and the persistence of a beaver, and when one listens to vague mutterings for many hard laboring years, one grows accustomed to the complainings and fails to see certain warning symptoms of which even the complainer is only vaguely aware.
She kept on working through the years, and as far as was humanly possible she kept Jase working. She did not soften, except toward Billy Louise, who rode sometimes over from her father's ranch on the Wolverine to the flowery delights of the Cove. The place was a perfect jungle of sweetness, seven months of each year; for Marthy owned and indulged a love of beauty, even if she could not realize her dream of prosperity. Wherever was space in the house-yard for a flower or a fruit tree or a berry bush, Marthy planted one or the other. You could not see the cabin from April until the leaves fell in late October, except in a fragmentary way as you walked around it. You went in at a gate of pickets which Marthy herself had split and nailed in place; you followed a narrow, winding path through the sweet jungle—and if you were tall, you stooped now and then to pass under an apple branch. And unless you looked up at the black, lava-rock rim of the bluff which cupped this Eden incongruously, you would forget that just over the brim lay parched plain and barren mountain.
When Billy Louise was twelve, she had other ambitions than the making of cookies with "raisings" on them. She wanted to do something big, though she was hazy as to the particular nature of that big something. She tried to talk it over with Marthy, but Marthy could not seem to think beyond the Cove, except that now and then Billy Louise would suspect that her mind did travel to the desert and Minervy's grave. Marthy's hair was growing streaked with yellowish gray, though it never grew less unkempt and dusty looking. Her eyes were harder, if anything, except when they rested on Billy Louise.
When she was thirteen, Billy Louise rode over with a loaf of bread she had baked all by herself, and she put this problem to Marthy:
"I've been thinking I'd go ahead and write poetry, Marthy—a whole book of it with pictures. But I do love to make bread—and people have to eat bread. Which would you be, Marthy; a poet, or a cook?"
Marthy looked at her a minute, lent her attention briefly to the question, and gave what she considered good advice.
"You learn how to cook, Billy Louise. Yuh don't want to go and get notions. Your maw ain't healthy, and your paw likes good grub. Po'try is all foolishness; there ain't any money in it."