A loud wailing cry, and the entreaties of the other child, showed that Imri had obeyed his patron's command; and though the notary was resolved not to enter into any conversation with his fellow-prisoners, that cry of pain overcame his resolution.
"Why don't you let the poor boy sleep?" said he.
"You leave my children alone, sir!" said the old robber, rather fiercely. "They ought to fight. It does them good, you know. Makes them hard, sir, as hard as nails! That little fellow, Imri, is a whapper, sir. That boy'll do me honour, that boy will; but that sleepy cove in the corner will never come to any thing. I've given them a year's schooling, sir, and that's why I ought to know them."
"You would do better to think of your death-bed, old man. You are driving these children to ruin."
"Ruin be d—d! I'll make men of them. I'll give them reason to be grateful to their worships for locking them up with me. I'll give them a bit of education, you know."
At this moment the turnkey opened the outer gate of the prison, and brought a large lamp, which he placed in the hall, so as to economise its light for three of the cells. The reddish glare of the lamp showed the notary the place to which his misfortune, and the malice of his enemies, had brought him. It was a perfect hell of sweating walls, half-rotten straw, filth, chains, and iron bars. The old prisoner, to whom Tengelyi had spoken, squatted in a corner, with his head leaning on his knees, so as to conceal his features. But in the intervals of the conversation, he raised his head, and showed a countenance on which the crimes of nearly a century had set their mark. His was one of those faces which, once seen, are always remembered, and the very turnkey felt some awe when he approached him. His white beard, which covered the lower half of his face, the thin long silvery locks which descended to his shoulders, and his sunken eyes and temples, showed that he had reached an age which few men attain, and the sight of which is wont to fill us with respect, or at least with pity. It was not so in the case of this man. The keen look of his eyes under his bushy eyebrows impressed you with a conviction that this patriarch of the prison, though he might want the power, did not lack the will to commit any crime; and when his trembling and shrivelled hands were stretched forth towards you, it was not pity, but a feeling of comfort you had in thinking, that these hands had lost the strength to grasp the dagger or aim the blow.
At the old man's feet lay a boy of fourteen, with a withered and oldish face. His cheeks were pale, his forehead wrinkled, and his eyes dull and glazed, except when the old man called him by his name, or stroked his hair with a trembling hand. It was then that some feeling was expressed in that haggard face. It was then that the boy's eyes gleamed in wild exultation. It was the yearning of the human heart for kindness, and its gratitude even to the depraved. The other boy, whose wailings induced Tengelyi to speak, had crept up to the iron railings of the door, and there he stood gazing at the light of the lamp. When the flame burnt clear and bright, the boy clapped his hands and laughed; but when it burnt low, he said he was sure the lamp was neglected, and that it would go out, as it did the other day.
"If I could but creep through the bars!" sighed he. "If they'd only let me trim it! I'd give it a large wick and plenty of oil; and I'd make it burn with a red flame, and a yellow flame, and a blue flame! Look, look! what a bright jet of fire! Grow! grow little flame! rise to the house-top, and shine over the town and warm it! Oh, see how splendid!" And the poor lad pressed his glowing face to the iron bars. "Oh! if they'd but let me touch it!"
"It's no go, my boy!" cried the young murderer from the furthest corner of the cell; "they won't allow you to set the prison on fire, as you did the other day. Get away from the bars, you little rascal; if you don't, I'll drag you away by the hair!"
"Bravo, Pishta! Give it him!" said the old man; "he all but killed us with his smoke. You see he's mad!"