My good blade carves the casques of men,
My tough lance thrusteth sure,
My strength is as the strength of ten,
Because my heart is pure.
The shattering trumpet shrilleth high,
The hard brands shiver on the steel,
The splinter’d spear-shafts crack and fly,
The horse and rider reel:
They reel, they roll in clanging lists,
And when the tide of combat stands,
Perfume and flowers fall in showers,
That lightly rain from ladies’ hands.
How sweet are looks that ladies bend
On whom their favours fall!
For them I battle till the end,
To save from shame and thrall:
But all my heart is drawn above,
My knees are bow’d in crypt and shrine:
I never felt the kiss of love,
Nor maiden’s hand in mine.
More bounteous aspects on me beam,
Me mightier transports move and thrill;
So keep I fair thro’ faith and prayer
A virgin heart in work and will.
When down the stormy crescent goes,
A light before me swims,
Between dark stems the forest glows,
I hear a noise of hymns:
Then by some secret shrine I ride;
I hear a voice, but none are there;
The stalls are void, the doors are wide,
The tapers burning fair.
Fair gleams the snowy altar-cloth,
The silver vessels sparkle clean,
The shrill bell rings, the censer swings,
And solemn chaunts resound between.
Sometimes on lonely mountain-meres
I find a magic bark;
I leap on board: no helmsman steers:
I float till all is dark.
A gentle sound, an awful light!
Three angels bear the holy Grail:
With folded feet, in stoles of white,
On sleeping wings they sail.
Ah, blessed vision! blood of God!
My spirit beats her mortal bars,
As down dark tides the glory slides,
And star-like mingles with the stars.
When on my goodly charger borne
Thro’ dreaming towns I go,
The cock crows ere the Christmas morn,
The streets are dumb with snow.
The tempest crackles on the leads,
And, ringing, spins from brand and mail;
But o’er the dark a glory spreads,
And gilds the driving hail.
I leave the plain, I climb the height;
No branchy thicket shelter yields;
But blessed forms in whistling storms
Fly o’er waste fens and windy fields.
A maiden knight—to me is given
Such hope, I know not fear;
I yearn to breathe the airs of heaven
That often meet me here.
I muse on joy that will not cease,
Pure spaces clothed in living beams,
Pure lilies of eternal peace,
Whose odours haunt my dreams;
And, stricken by an angel’s hand,
This mortal armour that I wear,
This weight and size, this heart and eyes,
Are touch’d, are turn’d to finest air.
The clouds are broken in the sky,
And thro’ the mountain-walls
A rolling organ-harmony
Swells up, and shakes and falls.
Then move the trees, the copses nod,
Wings flutter, voices hover clear:
“O just and faithful knight of God!
Ride on! the prize is near”.
So pass I hostel, hall, and grange;
By bridge and ford, by park and pale,
All-arm’d I ride, whate’er betide,
Until I find the holy Grail.

Edward Gray

First published in 1842 but written in or before 1840. See Life, i., 209. Not altered since.

Sweet Emma Moreland of yonder town
Met me walking on yonder way,
“And have you lost your heart?” she said;
“And are you married yet, Edward Gray?”
Sweet Emma Moreland spoke to me:
Bitterly weeping I turn’d away:
“Sweet Emma Moreland, love no more
Can touch the heart of Edward Gray.
“Ellen Adair she loved me well,
Against her father’s and mother’s will:
To-day I sat for an hour and wept,
By Ellen’s grave, on the windy hill.
“Shy she was, and I thought her cold;
Thought her proud, and fled over the sea;
Fill’d I was with folly and spite,
When Ellen Adair was dying for me.
“Cruel, cruel the words I said!
Cruelly came they back to-day:
‘You’re too slight and fickle,’ I said,
‘To trouble the heart of Edward Gray’.
“There I put my face in the grass—
Whisper’d, ‘Listen to my despair:
I repent me of all I did:
Speak a little, Ellen Adair!’
“Then I took a pencil, and wrote
On the mossy stone, as I lay,
‘Here lies the body of Ellen Adair;
And here the heart of Edward Gray!’
“Love may come, and love may go,
And fly, like a bird, from tree to tree:
But I will love no more, no more,
Till Ellen Adair come back to me.
“Bitterly wept I over the stone:
Bitterly weeping I turn’d away;
There lies the body of Ellen Adair!
And there the heart of Edward Gray!”

Will Waterproof’s Lyrical Monologue

made at The Cock.

First published 1842. The final text was that of 1853, which has not been altered since, except that in stanza 29 the two “we’s” in the first line and the “thy” in the third line are not in later editions italicised. The Cock Tavern, No. 201 Fleet Street, on the north side of Fleet Street, stood opposite the Temple and was of great antiquity, going back nearly 300 years. Strype, bk. iv., h. 117, describes it as “a noted public-house,” and Pepys’ Diary, 23rd April, 1668, speaks of himself as having been “mighty merry there”. The old carved chimney-piece was of the age of James I., and the gilt bird over the portal was the work of Grinling Gibbons. When Tennyson wrote this poem it was the favourite resort of templars, journalists and literary people generally, as it had long been. But the old place is now a thing of the past. On the evening of 10th April, 1886, it closed its doors for ever after an existence of nearly 300 years. There is an admirable description of it, signed A. J. M., in Notes and Queries, seventh series, vol. i., 442-6. I give a short extract:

“At the end of a long room beyond the skylight which, except a feeble side window, was its only light in the daytime, was a door that led past a small lavatory and up half a dozen narrow steps to the kitchen, one of the strangest and grimmest old kitchens you ever saw. Across a mighty hatch, thronged with dishes, you looked into it and beheld there the white-jacketed man-cook, served by his two robust and red-armed kitchen maids. For you they were preparing chops, pork chops in winter, lamb chops in spring, mutton chops always, and steaks and sausages, and kidneys and potatoes, and poached eggs and Welsh rabbits, and stewed cheese, the special glory of the house. That was the menu and men were the only guests. But of late years, as innovations often precede a catastrophe, two new things were introduced, vegetables and women. Both were respectable and both were good, but it was felt, especially by the virtuous Smurthwaite, that they were de trop in a place so masculine and so carnivorous.”

O plump head-waiter at The Cock,
To which I most resort,
How goes the time? ’Tis five o’clock.
Go fetch a pint of port:
But let it not be such as that
You set before chance-comers,
But such whose father-grape grew fat
On Lusitanian summers.
No vain libation to the Muse,
But may she still be kind,
And whisper lovely words, and use
Her influence on the mind,
To make me write my random rhymes,
Ere they be half-forgotten;
Nor add and alter, many times,
Till all be ripe and rotten.
I pledge her, and she comes and dips
Her laurel in the wine,
And lays it thrice upon my lips,
These favour’d lips of mine;
Until the charm have power to make
New life-blood warm the bosom,
And barren commonplaces break
In full and kindly[[1]] blossom.
I pledge her silent at the board;
Her gradual fingers steal
And touch upon the master-chord
Of all I felt and feel.
Old wishes, ghosts of broken plans,
And phantom hopes assemble;
And that child’s heart within the man’s
Begins to move and tremble.
Thro’ many an hour of summer suns
By many pleasant ways,
Against its fountain upward runs
The current of my days:[[2]]
I kiss the lips I once have kiss’d;
The gas-light wavers dimmer;
And softly, thro’ a vinous mist,
My college friendships glimmer.
I grow in worth, and wit, and sense,
Unboding critic-pen,
Or that eternal want of pence,
Which vexes public men,
Who hold their hands to all, and cry
For that which all deny them—
Who sweep the crossings, wet or dry,
And all the world go by them.
Ah yet, tho’[[3]] all the world forsake,
Tho’[[3]] fortune clip my wings,
I will not cramp my heart, nor take
Half-views of men and things.
Let Whig and Tory stir their blood;
There must be stormy weather;
But for some true result of good
All parties work together.
Let there be thistles, there are grapes;
If old things, there are new;
Ten thousand broken lights and shapes,
Yet glimpses of the true.
Let raffs be rife in prose and rhyme,
We lack not rhymes and reasons,
As on this whirligig of Time[[4]]
We circle with the seasons.
This earth is rich in man and maid;
With fair horizons bound:
This whole wide earth of light and shade
Comes out, a perfect round.
High over roaring Temple-bar,
And, set in Heaven’s third story,
I look at all things as they are,
But thro’ a kind of glory.
Head-waiter, honour’d by the guest
Half-mused, or reeling-ripe,
The pint, you brought me, was the best
That ever came from pipe.
But tho’[[5]] the port surpasses praise,
My nerves have dealt with stiffer.
Is there some magic in the place?
Or do my peptics differ?
For since I came to live and learn,
No pint of white or red
Had ever half the power to turn
This wheel within my head,
Which bears a season’d brain about,
Unsubject to confusion,
Tho’[[5]] soak’d and saturate, out and out,
Thro’ every convolution.
For I am of a numerous house,
With many kinsmen gay,
Where long and largely we carouse
As who shall say me nay:
Each month, a birthday coming on,
We drink defying trouble,
Or sometimes two would meet in one,
And then we drank it double;
Whether the vintage, yet unkept,
Had relish, fiery-new,
Or, elbow-deep in sawdust, slept,
As old as Waterloo;
Or stow’d (when classic Canning died)
In musty bins and chambers,
Had cast upon its crusty side
The gloom of ten Decembers.
The Muse, the jolly Muse, it is!
She answer’d to my call,
She changes with that mood or this,
Is all-in-all to all:
She lit the spark within my throat,
To make my blood run quicker,
Used all her fiery will, and smote
Her life into the liquor.
And hence this halo lives about
The waiter’s hands, that reach
To each his perfect pint of stout,
His proper chop to each.
He looks not like the common breed
That with the napkin dally;
I think he came like Ganymede,
From some delightful valley.
The Cock was of a larger egg
Than modern poultry drop,
Stept forward on a firmer leg,
And cramm’d a plumper crop;
Upon an ampler dunghill trod,
Crow’d lustier late and early,
Sipt wine from silver, praising God,
And raked in golden barley.
A private life was all his joy,
Till in a court he saw
A something-pottle-bodied boy,
That knuckled at the taw:
He stoop’d and clutch’d him, fair and good,
Flew over roof and casement:
His brothers of the weather stood
Stock-still for sheer amazement.
But he, by farmstead, thorpe and spire,
And follow’d with acclaims,
A sign to many a staring shire,
Came crowing over Thames.
Right down by smoky Paul’s they bore,
Till, where the street grows straiter,[[6]]
One fix’d for ever at the door,
And one became head-waiter.
But whither would my fancy go?
How out of place she makes
The violet of a legend blow
Among the chops and steaks!
’Tis but a steward of the can,
One shade more plump than common;
As just and mere a serving-man
As any born of woman.
I ranged too high: what draws me down
Into the common day?
Is it the weight of that half-crown,
Which I shall have to pay?
For, something duller than at first,
Nor wholly comfortable,
I sit (my empty glass reversed),
And thrumming on the table:
Half-fearful that, with self at strife
I take myself to task;
Lest of the fullness of my life
I leave an empty flask:
For I had hope, by something rare,
To prove myself a poet;
But, while I plan and plan, my hair
Is gray before I know it.
So fares it since the years began,
Till they be gather’d up;
The truth, that flies the flowing can,
Will haunt the vacant cup:
And others’ follies teach us not,
Nor much their wisdom teaches;
And most, of sterling worth, is what
Our own experience preaches.
Ah, let the rusty theme alone!
We know not what we know.
But for my pleasant hour, ’tis gone,
’Tis gone, and let it go.
’Tis gone: a thousand such have slipt
Away from my embraces,
And fall’n into the dusty crypt
Of darken’d forms and faces.
Go, therefore, thou! thy betters went
Long since, and came no more;
With peals of genial clamour sent
From many a tavern-door,
With twisted quirks and happy hits,
From misty men of letters;
The tavern-hours of mighty wits—
Thine elders and thy betters.
Hours, when the Poet’s words and looks
Had yet their native glow:
Not yet the fear of little books
Had made him talk for show:
But, all his vast heart sherris-warm’d,
He flash’d his random speeches;
Ere days, that deal in ana, swarm’d
His literary leeches.
So mix for ever with the past,
Like all good things on earth!
For should I prize thee, couldst thou last,
At half thy real worth?
I hold it good, good things should pass:
With time I will not quarrel:
It is but yonder empty glass
That makes me maudlin-moral.
Head-waiter of the chop-house here,
To which I most resort,
I too must part: I hold thee dear
For this good pint of port.
For this, thou shalt from all things suck
Marrow of mirth and laughter;
And, wheresoe’er thou move, good luck
Shall fling her old shoe after.
But thou wilt never move from hence,
The sphere thy fate allots:
Thy latter days increased with pence
Go down among the pots:
Thou battenest by the greasy gleam
In haunts of hungry sinners,
Old boxes, larded with the steam
Of thirty thousand dinners.
We fret, we fume, would shift our skins,
Would quarrel with our lot;
Thy care is, under polish’d tins,
To serve the hot-and-hot;
To come and go, and come again,
Returning like the pewit,
And watch’d by silent gentlemen,
That trifle with the cruet.
Live long, ere from thy topmost head
The thick-set hazel dies;
Long, ere the hateful crow shall tread
The corners of thine eyes:
Live long, nor feel in head or chest
Our changeful equinoxes,
Till mellow Death, like some late guest,
Shall call thee from the boxes.
But when he calls, and thou shalt cease
To pace the gritted floor,
And, laying down an unctuous lease
Of life, shalt earn no more;
No carved cross-bones, the types of Death,
Shall show thee past to Heaven:
But carved cross-pipes, and, underneath,
A pint-pot neatly graven.

[1] 1842 and all previous to 1853. To full and kindly.