Undoubtedly the Emperor is a man of many gifts, intelligent and well-informed. For all that, one gets an impression, when talking to him, that he has but a superficial acquaintance with certain subjects on which he loves to dilate.
This is not surprising. In spite of his uncommon capacity for assimilating knowledge, William II. is not a man of universal mind, able to discourse with equal aptness upon politics, industry, commerce, agriculture, music, painting, architecture—one may as well say, upon every branch of human knowledge, for he does not even shrink from venturing on the steep path of the exact sciences. Perhaps he would have acted more wisely if, instead of spreading his mental activities over so many different fields, he had centred them in the study of foreign politics, and had endeavoured to find out for himself, at first hand, the real state of public opinion in the countries surrounding Germany. Had he adopted this course, those who conversed with him would not have had to record the disquieting fact that he accepted, as articles of faith, many prejudiced and utterly wrong-headed notions that were current in the German Press and among the German public.
His confidence in himself has always made it impossible for him to endure, in the governance of the Empire, the co-operation of a superior mind or an independent will. When he had been on the throne two years, he impatiently shook himself free from the leading-strings—irksome, no doubt, but still necessary—held by the man to whom he owed his Imperial crown. In order to enjoy a long spell of service, his ministers must either adopt his ideas or possess the art of presenting theirs as if he had inspired them. After the dismissal of Bismarck, his chancellors were nothing but executors, more or less skilful, of his divine will, and heads of an army of bureaucrats. For an Imperial chancellor, to govern means not to foresee, but to obey a headstrong and unstable master.
In other aspects of his character the Emperor is a very modern ruler. He has always had a fondness for the society of noted scholars and scientific men. Having some artistic pretensions himself, he likes to surround himself with artists who follow his advice and carry out his suggestions. In Prussia, building has always been a noble pastime for princes, a pastime that Frederick the Great pursued, with admirable results, in the intervals between his wars. William II. is a great builder: in the course of twenty-five years his architects have erected more monuments and palaces in Berlin than their fellow-craftsmen in other capitals have produced throughout a whole century. Too often, however, these constructions bear the imprint of his taste for the massive, the colossal, and the overloaded. Under his inspiration, German artists are making laborious efforts to create a style that may deserve to be called the “William II. Style.” In spite of this, the most pleasing monuments of the Imperial residence are still those which were raised under the earlier kings, and to which Herr von Ihne, an artist who is an ardent admirer of eighteenth-century French art, has made some fine additions. One observes with some surprise, by the way, that the old palace of the first King of Prussia is still large enough to contain the first German Emperors. May we imagine that the haughty son of the Great Elector, with the limitless ambition of the Hohenzollerns, foresaw the remote future destiny of his house?
From the sculptors, William II., faithful to the same æsthetic principles, has ordered statues, gigantic in size or cast into stiff, formal attitudes, representing the heroes of his line and the great men who served his ancestors. Surely they do not deserve such barbarous treatment! His infatuation for official painting has prevented him from appreciating artists of original talent, such leaders of schools as Max Liebermann, whom he looks upon as revolutionaries. The same remark applies to men of letters. The most noted living novelists and playwrights of Germany, a Hauptmann or a Sudermann, are nowhere less understood than at the Court of Berlin.
For a long time past the Emperor has delighted in the society of agreeable dilettante, poets, and musicians—for he adores music and poetry—the companions of the famous “Round Table.” The scandalous Eulenburg case brought these intimacies to an abrupt close. Evil has been whispered, quite without justification, of his friendship with that attractive but unhappy figure, Prince Philip von Eulenburg. It would be more to the point to note his weakness for rich men, for the founders of vast fortunes. In this respect he has shown, like some other crowned heads, that he has a sense for present-day realities—that he appreciates the services rendered to modern society by wealth. Americans visiting Berlin are assured of a warm welcome at the Imperial Court, provided they bear names to conjure with in the money-market of the United States. It is only fair to add that, in paying these flattering attentions to opulent Yankees, William II. is partly actuated by what has been called his “American policy”—that is to say, his desire for a close understanding with the Great Republic. His admiration for the power conferred by money has been similarly displayed in his method of bestowing honours on his loyal nobility. In creating an exalted aristocracy of princes and dukes, who before his time were very few and far between in Prussia, he has sometimes shown less regard for ancient lineage and services claiming the gratitude of the State than for the territorial possessions of those concerned. Nobles who have remained poor have not been much favoured, even when they inherit the most honoured names in the military history of the kingdom.
Brought up by a father whose “liberal” ideas have been overpraised (such is the view of those who knew him best), the Emperor, at the outset of his reign, felt an impatient eagerness to improve the lot of the labouring classes and—as he announced at the opening of the Reichstag in 1888—to continue, in accordance with the principles of Christian morality, the legislative work of social protection inaugurated by his grandfather. In 1890 an international conference held by his orders in Berlin, for the purpose of studying industrial legislation. On the other hand, he came to the throne with a youthful hatred of Socialists and freethinkers—a hatred that grew in intensity as the years went by, and as the advance of Social Democracy became more menacing at each election to the Reichstag. Nothing has occupied his mind more than the fear of Socialism, the struggle with this elusive Proteus. In a speech delivered at Königsberg in 1894, he denounced the enemy in no measured terms: “Let us arise, and fight for religion, morality, and order, against the partisans of anarchy!” In 1907 he even entered the lists against the foe, to such good purpose that on the balcony of his palace in Berlin he was hailed with cheers from the bien pensants after the electoral verdict which for the time being thinned the ranks of the Social-Democratic delegates. As ruler of a great empire containing some millions of Socialists, would he not have acted more wisely by holding aloof from the feuds of classes and of parties, and by dwelling serenely above the turmoil?
William II., without sharing all the reactionary ideas of the Prussian Conservatives, has anything but a liberal turn of mind. He is a monarch by divine right—one who considers himself, like his predecessors, entrusted with the mission of governing his States and of moulding the happiness of his subjects, even though it be against their own immediate wishes, in accordance with the principles of religion and the monarchical tradition; an unbending champion of the sacred privileges of kingship, limited solely by the barriers of modern constitutionalism.
It is not within the scope of the present study to enter into a more detailed analysis of so complex a character, one that has already furnished material for numerous portraits, and, with all its twists and turns, will severely test the powers of future biographers. I will merely endeavour, at the end of this chapter, to summarize the most striking features of the Imperial temperament, and to indicate the aspect under which he must appear to us hereafter in the light of an appalling war. After all, in the man who sways the destinies of Germany, it is the statesman who claims our chief interest, because of his attempt to give a new direction to the destinies of Europe. From this standpoint, it is impossible to overlook the part that religion plays in his life. He has always been an ardent Protestant. For him, as for Treitschke, the historian of modern Prussia, Protestantism is not only the true faith, but the corner-stone of German unity, the strong rampart behind which the language and customs of the German race have been kept intact from the shores of the Baltic to the borders of Transylvania. William II.’s creed, however, though sincere, is decidedly too garrulous and too nationalistic. It is paraded before the world with an intolerable lack of reticence. It is revealed in his speeches by startling invocations to the Deity, a Deity who is exclusively German, who confines his love to the Germans and rejoices in their exploits. At the threshold of the twentieth century, this defender of the faith, modelling himself upon the Biblical heroes and the champions of the Reformation had come to regard himself as the right hand and sword of the Almighty, as the predestined being on whom the Spirit from on high had descended. How can we be astonished if, under the sway of such a creed, he has embarked upon a war that recalls the merciless struggles of the sixteenth and seventeenth centuries, a sort of crusade against the enemies of God’s chosen people, embodied to-day in the Germanic race? This theory and practice of religion will explain why the head of the pious German nation, after solemnly invoking upon his arms the blessing of the Christian God—a God of peace and good will!—has ordered, without any qualms of conscience, the bombardment of defenceless cities and the destruction of the architectural triumphs of Catholic art, the old historic cathedrals.