“So much for the defence, now let us suppose that you are the attacking party. You attack, either because you place more reliance on the quickness of your hand than on the certainty of your riposte, or because your opponent, by confining himself to defensive tactics, compels you to do so. You must be doubly cautious now.
X.
“If it is important, as I have just now pointed out, to avoid engaging blades when you are acting on the defensive, in order to protect yourself from what may be called attacks on the sword, it is obviously of equal importance never to attack without first attempting to master your opponent’s fort.
“Eschew feints;—I have shown you how dangerous they are—therefore be content with direct attacks, prefacing them with an engagement in carte or tierce, or with a pressure, or a beat, light or heavy, accordingly as you wish to draw your opponent to one line or another. Your object will be gained more easily, if he is willing to join blades.
“If on the other hand he is unwilling to do so, you must by force or fraud bring him to an engagement, and you should never finish your attack until you have succeeded in finding his blade; unless in his efforts to elude you he leaves himself completely exposed. When that happens a straight thrust is a certainty.
“What you have most to fear is a stop thrust, the straightening of your opponent’s arm on your preparation or advance. This is generally a favourite stroke with those who deliberately stand on the defensive.
“In nine cases out of ten the refusal to join blades may be successfully met by a simulated attack, if it is well marked. Either your opponent attempts to parry, or he straightens his arm; whereupon you immediately engage his blade, and drive your attack home, without quitting his blade, and above all without any feint.
XI.
“It is evidently impossible to enumerate in the course of conversation all the situations that may occur, or to describe all the traps that you may set for your opponent or that he may set for you. These things are matters of instinct and inspiration, the happy thoughts of the moment, and depend on character and individual temperament, physical and moral. The art of fighting cannot of course be learnt in a day; it grows upon you gradually, as you learn by experience to combine the various elements scientifically into a well-ordered whole.