Upon my first entrance I had perceived a close and confined smell in these miserable apartments, but, by degrees, I became accustomed to it, and began to examine the chamber in which I sat with as strict a scrutiny as though I had intended making an inventory of its contents. Three old elbow-chairs, some rickety stools, a writing-table, on which were two or three volumes of music, some dried plants laid on white-brown paper; beside the table stood an old spinet, and, close to the latter article of furniture, sat a fat and well-looking cat. Over the chimney hung an old silver watch; the walls of the room were adorned with about half a dozen views of Switzerland and some inferior engravings, two only, which occupied the most honourable situations, struck me; one represented Frederick II, and under the picture were written some lines (which I cannot now recollect) by Rousseau himself; the other engraving, which hung opposite, was the likeness of a very tall, thin, old man, whose dress was nearly concealed by the dirt which had been allowed to accumulate upon it; I could only distinguish that it was ornamented with a broad riband. When I had sufficiently surveyed this chamber, the simplicity of which, so closely bordering on want and misery, pained me to the heart, I directed my attention to the extraordinary man who was the occasion of my visit. He was of middle height, slightly bent by age, with a large and expansive chest; his features were common in their cast, but possessed of the most perfect regularity. His eyes, which he from time to time raised from the music he was considering, were round and sparkling but small, and the heavy brows which hung over them, conveyed an idea of gloom and severity; but his mouth, which was certainly the most beautiful and fascinating in its expression I ever saw, soon removed this unfavourable impression. Altogether there belonged to his countenance a smile of mixed sweetness and sadness, which bestowed on it an indescribable charm.
To complete my description, I must not forget to add his dress, which consisted of a dirty cotton cap, to which were fixed strings of a riband that had once been scarlet; a pelisse with arm-holes, a flannel waistcoat, snuff-coloured breeches, gray stockings, and shoes slipped down at the heel, after the fashion of slippers. Such was the portrait, and such the abode of the man who believed himself to be one of the potentates of the earth and who, in fact, had once owned his little court and train of courtiers; for, in the century in which he lived, talent had become as arbitrary as sovereign power—thanks to the stupidity of some of our grandees and the caprice of Frederick of Prussia.
Meanwhile my host, undisturbed by my reflections, had quietly gone over his packet of music. He found amongst it an air from “Le Devin du Village,” which I had purposely placed there; he half turned towards me and looking steadfastly at me, as if he would force the truth from my lips.
“Madam,” said he, “do you know the author of this little composition?”
“Yes,” replied I, with an air of as great simplicity as I could assume, “it is written by a person of the same name as yourself, who writes books and composes operas. Is he any relation to you?”
My answer and question disarmed the suspicions of Jean Jacques, who was about to reply, but stopped himself, as if afraid of uttering a falsehood, and contented himself with smiling and casting down his eyes. Taking courage from his silence, I ventured to add,—“The M. de Rousseau who composed this pretty air has written much beautiful music and many very clever works. Should I ever know the happiness of becoming a mother I shall owe to him the proper care and education of my child.” Rousseau made no reply, but he turned his eyes towards me, and at this moment the expression of his countenance was perfectly celestial, and I could readily imagine how easily he might have inspired a warmer sentiment than that of admiration.
Whilst we were conversing in this manner, a female, between the age of forty and fifty, entered the room. She saluted me with great affectation of politeness, and then, without speaking to Rousseau, went and seated herself familiarly upon a chair on the other side of the table: this was Thérèse, a sort of factotum, who served the master of these apartments both as servant and mistress. I could not help regarding this woman with a feeling of disgust; she had a horrible cough, which she told us was more than usually troublesome on that day. I had heard of her avarice; therefore to prevent the appearance of having called upon an unprofitable errand, I inquired of Jean Jacques Rousseau how much the music would cost.
“Six sous a page, madam,” replied he, “is the usual price.”
“Shall I, sir,” asked I, “leave you any cash in hand for the purchase of what paper you will require?”
“No, I thank you, madam,” replied Rousseau, smiling; “thank God! I am not yet so far reduced that I cannot purchase it for you. I have a trifling annuity—”