CHAPTER XXXIX.

The Manuscript was written in a small and peculiar handwriting, which, though evidently by the same person whose letter to Strahan I had read, was, whether from haste or some imperfection in the ink, much more hard to decipher. Those parts of the Memoir which related to experiments, or alleged secrets in Nature, that the writer intimated a desire to submit exclusively to scholars or men of science, were in Latin,—and Latin which, though grammatically correct, was frequently obscure. But all that detained the eye and attention on the page necessarily served to impress the contents more deeply on remembrance.

The narrative commenced with the writer’s sketch of his childhood. Both his parents had died before he attained his seventh year. The orphan had been sent by his guardians to a private school, and his holidays had been passed at Derval Court. Here his earliest reminiscences were those of the quaint old room, in which I now sat, and of his childish wonder at the inscription on the chimneypiece—who and what was the Simon Forman who had there found a refuge from persecution? Of what nature were the studies he had cultivated, and the discoveries he boasted to have made?

When he was about sixteen, Philip Derval had begun to read the many mystic books which the library contained; but without other result on his mind than the sentiment of disappointment and disgust. The impressions produced on the credulous imagination of childhood vanished. He went to the University; was sent abroad to travel: and on his return took that place in the circles of London which is so readily conceded to a young idler of birth and fortune. He passed quickly over that period of his life, as one of extravagance and dissipation, from which he was first drawn by the attachment for his cousin to which his letter to Strahan referred. Disappointed in the hopes which that affection had conceived, and his fortune impaired, partly by some years of reckless profusion, and partly by the pecuniary sacrifices at which he had effected his cousin’s marriage with another, he retired to Derval Court, to live there in solitude and seclusion. On searching for some old title-deeds required for a mortgage, he chanced upon a collection of manuscripts much discoloured, and, in part, eaten away by moth or damp. These, on examination, proved to be the writings of Forman. Some of them were astrological observations and predictions; some were upon the nature of the Cabbala; some upon the invocation of spirits and the magic of the dark ages. All had a certain interest, for they were interspersed with personal remarks, anecdotes of eminent actors in a very stirring time, and were composed as Colloquies, in imitation of Erasmus,—the second person in the dialogue being Sir Miles Derval, the patron and pupil; the first person being Forman, the philosopher and expounder.

But along with these shadowy lucubrations were treatises of a more uncommon and a more startling character,—discussions on various occult laws of nature, and detailed accounts of analytical experiments. These opened a new, and what seemed to Sir Philip a practical, field of inquiry,—a true border-land between natural science and imaginative speculation. Sir Philip had cultivated philosophical science at the University; he resumed the study, and tested himself the truth of various experiments suggested by Forman. Some, to his surprise, proved successful, some wholly failed. These lucubrations first tempted the writer of the memoir towards the studies in which the remainder of his life had been consumed. But he spoke of the lucubrations themselves as valuable only where suggestive of some truths which Forman had accidentally approached, without being aware of their true nature and importance. They were debased by absurd puerilities, and vitiated by the vain and presumptuous ignorance which characterized the astrology of the middle ages. For these reasons the writer intimated his intention (if he lived to return to England) to destroy Forman’s manuscripts, together with sundry other books, and a few commentaries of his own upon studies which had for a while misled him,—all now deposited in the safes of the room in which I sat.

After some years passed in the retirement of Derval Court, Sir Philip was seized with the desire to travel, and the taste he had imbibed for occult studies led him towards those Eastern lands in which they took their origin, and still retain their professors.

Several pages of the manuscript were now occupied with minute statements of the writer’s earlier disappointment in the objects of his singular research. The so-called magicians, accessible to the curiosity of European travellers, were either but ingenious jugglers, or produced effects that perplexed him by practices they had mechanically learned, but of the rationale of which they were as ignorant as himself. It was not till he had resided some considerable time in the East, and acquired a familiar knowledge of its current languages and the social habits of its various populations, that he became acquainted with men in whom he recognized earnest cultivators of the lore which tradition ascribes to the colleges and priesthoods of the ancient world,—men generally living remote from others, and seldom to be bribed by money to exhibit their marvels or divulge their secrets. In his intercourse with these sages, Sir Philip arrived at the conviction that there does exist an art of magic, distinct from the guile of the conjuror, and applying to certain latent powers and affinities in nature,—a philosophy akin to that which we receive in our acknowledged schools, inasmuch as it is equally based on experiment, and produces from definite causes definite results. In support of this startling proposition, Sir Philip now devoted more than half his volume to the details of various experiments, to the process and result of which he pledged his guarantee as the actual operator. As most of these alleged experiments appeared to me wholly incredible, and as all of them were unfamiliar to my practical experience, and could only be verified or falsified by tests that would require no inconsiderable amount of time and care, I passed with little heed over the pages in which they were set forth. I was impatient to arrive at that part of the manuscript which might throw light on the mystery in which my interest was the keenest. What were the links which connected the existence of Margrave with the history of Sir Philip Derval? Thus hurrying on, page after page, I suddenly, towards the end of the volume, came upon a name that arrested all my attention,—Haroun of Aleppo. He who has read the words addressed to me in my trance may well conceive the thrill that shot through my heart when I came upon that name, and will readily understand how much more vividly my memory retains that part of the manuscript to which I now proceed, than all which had gone before.

“It was,” wrote Sir Philip, “in an obscure suburb of Aleppo that I at
length met with the wonderful man from whom I have acquired a
knowledge immeasurably more profound and occult than that which may be
tested in the experiments to which I have devoted so large a share of
this memoir. Haroun of Aleppo had, indeed, mastered every secret in
nature which the nobler, or theurgic, magic seeks to fathom.
“He had discovered the great Principle of Animal Life, which had
hitherto baffled the subtlest anatomist. Provided only that the great
organs were not irreparably destroyed, there was no disease that he
could not cure; no decrepitude to which he could not restore vigour:
yet his science was based on the same theory as that espoused by the
best professional practitioner of medicine, namely, that the true art
of healing is to assist nature to throw off the disease; to summon, as
it were, the whole system to eject the enemy that has fastened on a
part. And thus his processes, though occasionally varying in the
means employed, all combined in this,—namely, the re-invigourating
and recruiting of the principle of life.”

No one knew the birth or origin of Haroun; no one knew his age. In outward appearance he was in the strength and prime of mature manhood; but, according to testimonies in which the writer of the memoir expressed a belief that, I need scarcely say, appeared to me egregiously credulous, Haroun’s existence under the same name, and known by the same repute, could be traced back to more than a hundred years. He told Sir Philip that he had thrice renewed his own life, and had resolved to do so no more; he had grown weary of living on. With all his gifts, Haroun owned himself to be consumed by a profound melancholy. He complained that there was nothing new to him under the sun; he said that, while he had at his command unlimited wealth, wealth had ceased to bestow enjoyment, and he preferred living as simply as a peasant; he had tired out all the affections and all the passions of the human heart; he was in the universe as in a solitude. In a word, Haroun would often repeat, with mournful solemnity: “‘The soul is not meant to inhabit this earth and in fleshy tabernacle for more than the period usually assigned to mortals; and when by art in repairing the walls of the body we so retain it, the soul repines, becomes inert or dejected. He only,” said Haroun, “would feel continued joy in continued existence who could preserve in perfection the sensual part of man, with such mind or reason as may be independent of the spiritual essence, but whom soul itself has quitted!—man, in short, as the grandest of the animals, but without the sublime discontent of earth, which is the peculiar attribute of soul.”

One evening Sir Philip was surprised to find at Haroun’s house another European. He paused in his narrative to describe this man. He said that for three or four years previously he had heard frequent mention, amongst the cultivators of magic, of an orientalized Englishman engaged in researches similar to his own, and to whom was ascribed a terrible knowledge in those branches of the art which, even in the East, are condemned as instrumental to evil. Sir Philip here distinguished at length, as he had so briefly distinguished in his conversation with me, between the two kinds of magic,—that which he alleged to be as pure from sin as any other species of experimental knowledge, and that by which the agencies of witchcraft are invoked for the purposes of guilt.