“If it be not too great a favour, may I be allowed the same privilege granted to Mr. Margrave? To judge by the outside of the house, the inside must be worth seeing; still, if it be against Sir Philip’s positive orders—”
“His orders were, not to let the Court become a show-house,—to admit none without my consent; but I should be ungrateful indeed, doctor, if I refused that consent to you.”
I tied my horse to the rusty gate of the terrace-walk, and followed the steward up the broad stairs of the terrace. The great doors were unlocked. We entered a lofty hall with a domed ceiling; at the back of the hall the grand staircase ascended by a double flight. The design was undoubtedly Vanbrugh’s,—an architect who, beyond all others, sought the effect of grandeur less in space than in proportion; but Vanbrugh’s designs need the relief of costume and movement, and the forms of a more pompous generation, in the bravery of velvets and laces, glancing amid those gilded columns, or descending with stately tread those broad palatial stairs. His halls and chambers are so made for festival and throng, that they become like deserted theatres, inexpressibly desolate, as we miss the glitter of the lamps and the movement of the actors.
The housekeeper had now appeared,—a quiet, timid old woman. She excused herself for admitting Margrave—not very intelligibly. It was plain to see that she had, in truth, been unable to resist what the steward termed his “pleasant ways.”
As if to escape from a scolding, she talked volubly all the time, bustling nervously through the rooms, along which I followed her guidance with a hushed footstep. The principal apartments were on the ground-floor, or rather, a floor raised some ten or fifteen feet above the ground; they had not been modernized since the date in which they were built. Hangings of faded silk; tables of rare marble, and mouldered gilding; comfortless chairs at drill against the walls; pictures, of which connoisseurs alone could estimate the value, darkened by dust or blistered by sun and damp, made a general character of discomfort. On not one room, on not one nook, still lingered some old smile of home.
Meanwhile, I gathered from the housekeeper’s rambling answers to questions put to her by the steward, as I moved on, glancing at the pictures, that Margrave’s visit that day was not his first. He had been to the house twice before,—his ostensible excuse that he was an amateur in pictures (though, as I had before observed, for that department of art he had no taste); but each time he had talked much of Sir Philip. He said that though not personally known to him, he had resided in the same towns abroad, and had friends equally intimate with Sir Philip; but when the steward inquired if the visitor had given any information as to the absentee, it became very clear that Margrave had been rather asking questions than volunteering intelligence.
We had now come to the end of the state apartments, the last of which was a library. “And,” said the old woman, “I don’t wonder the gentleman knew Sir Philip, for he seemed a scholar, and looked very hard over the books, especially those old ones by the fireplace, which Sir Philip, Heaven bless him, was always poring into.”
Mechanically I turned to the shelves by the fireplace, and examined the volumes ranged in that department. I found they contained the works of those writers whom we may class together under the title of mystics,—Iamblichus and Plotinus; Swedenborg and Behmen; Sandivogius, Van Helmont, Paracelsus, Cardan. Works, too, were there, by writers less renowned, on astrology, geomancy, chiromancy, etc. I began to understand among what class of authors Margrave had picked up the strange notions with which he was apt to interpolate the doctrines of practical philosophy.
“I suppose this library was Sir Philip’s usual sitting-room?” said I.
“No, sir; he seldom sat here. This was his study;” and the old woman opened a small door, masked by false book backs. I followed her into a room of moderate size, and evidently of much earlier date than the rest of the house. “It is the only room left of an older mansion,” said the steward in answer to my remark. “I have heard it was spared on account of the chimneypiece. But there is a Latin inscription which will tell you all about it. I don’t know Latin myself.”