That purpose, I trust, will develop itself in proportion as the story approaches the close; and whatever may appear violent or melodramatic in the catastrophe, will, perhaps, be found, by a reader capable of perceiving the various symbolical meanings conveyed in the story, essential to the end in which those meanings converge, and towards which the incidents that give them the character and interest of of fiction, have been planned and directed from the commencement.
Of course, according to the most obvious principles of art, the narrator of a fiction must be as thoroughly in earnest as if he were the narrator of facts. One could not tell the most extravagant fairy-tale so as to rouse and sustain the attention of the most infantine listener, if the tale were told as if the taleteller did not believe in it. But when the reader lays down this "Strange Story," perhaps he will detect, through all the haze of romance, the outlines of these images suggested to his reason: Firstly, the image of sensuous, soulless Nature, such as the Materialist had conceived it; secondly, the image of Intellect, obstinately separating all its inquiries from the belief in the spiritual essence and destiny of man, and incurring all kinds of perplexity and resorting to all kinds of visionary speculation before it settles at last into the simple faith which unites the philosopher and the infant; and thirdly, the image of the erring but pure-thoughted visionary, seeking over-much on this earth to separate soul from mind, till innocence itself is led astray by a phantom, and reason is lost in the space between earth and the stars. Whether in these pictures there be any truth worth the implying, every reader must judge for himself; and if he doubt or deny that there be any such truth, still, in the process of thought which the doubt or denial enforces, he may chance on a truth which it pleases himself to discover.
"Most of the Fables of AEsop,"—thus says Montaigne in his charming essay "Of Books"[7]—"have several senses and meanings, of which the Mythologists choose some one that tallies with the fable. But for the most part 't is only what presents itself at the first view, and is superficial; there being others more lively, essential, and internal, into which they had not been able to penetrate; and"—adds Montaigne—"the case is the very same with me."
[1] OEuvres inedites de Maine de Biran, vol. i. See introduction.
[2] OEuvres inedites de Maine de Biran, vol. iii. p. 546 (Anthropologie).
[3] OEuvres inedites de Maine de Biran, vol. iii. p. 524.
[4] "The Golden Ass" of Apuleius.
[5] Sir William Hamilton: Lectures on Metaphysics, p. 40.
[6] Jacobi: Von der Gottlichen Dingen; Werke, p. 424-426.
[7] Translation, 1776, Yol. ii. p. 103.