CHAPTER IV.
CHAOS of Thought and Passion all confused.—POPE.
IT is to the contemplation of a very different scene that the course of our story now conducts us.
Between St. Cloud and Versailles there was at that time—perhaps there still is—a lone and melancholy house, appropriated to the insane,—melancholy, not from its site, but the purpose to which it is devoted. Placed on an eminence, the windows of the mansion command—beyond the gloomy walls that gird the garden ground—one of those enchanting prospects which win for France her title to La Belle. There the glorious Seine is seen in the distance, broad and winding through the varied plains, and beside the gleaming villages and villas. There, too, beneath the clear blue sky of France, the forest-lands of Versailles and St. Germains stretch in dark luxuriance around and afar. There you may see sleeping on the verge of the landscape the mighty city,—crowned with the thousand spires from which, proud above the rest, rises the eyry of Napoleon's eagle, the pinnacle of Notre Dame.
Remote, sequestered, the place still commands the survey of the turbulent world below; and Madness gazes upon prospects that might well charm the thoughtful eyes of Imagination or of Wisdom! In one of the rooms of this house sat Castruccio Cesarini. The apartment was furnished even with elegance; a variety of books strewed the table; nothing for comfort or for solace that the care and providence of affection could dictate was omitted. Cesarini was alone: leaning his cheek upon his hand, he gazed on the beautiful and tranquil view we have described. "And am I never to set a free foot on that soil again?" he muttered indignantly, as he broke from his revery.
The door opened, and the keeper of the sad abode (a surgeon of humanity and eminence) entered, followed by De Montaigne. Cesarini turned round and scowled upon the latter; the surgeon, after a few words of salutation, withdrew to a corner of the room, and appeared absorbed in a book. De Montaigne approached his brother-in-law,—"I have brought you some poems just published at Milan, my dear Castruccio,—they will please you."
"Give me my liberty!" cried Cesarini, clenching his hands. "Why am I to be detained here? Why are my nights to be broken by the groans of maniacs, and my days devoured in a solitude that loathes the aspect of things around me? Am I mad? You know I am not! It is an old trick to say that poets are mad,—you mistake our agonies for insanity. See, I am calm; I can reason: give me any test of sound mind—no matter how rigid—I will pass it; I am not mad,—I swear I am not!"
"No, my dear Castruccio," said De Montaigne, soothingly; "but you are still unwell,—you still have fever; when next I see you perhaps you may be recovered sufficiently to dismiss the doctor and change the air. Meanwhile is there anything you would have added or altered?"
Cesarini had listened to this speech with a mocking sarcasm on his lip, but an expression of such hopeless wretchedness in his eyes, as they alone can comprehend who have witnessed madness in its lucid intervals. He sank down, and his head drooped gloomily on his breast. "No," said he; "I want nothing but free air or death,—no matter which."