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[ Suid.
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[ Hecataeus was also of Miletus.
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[ Pausan., ii., c. 3: Cic. de Orat., ii., c. 53; Aulus Gellius, xv., c. 23.
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[ Fast. Hell., vol. i.
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[ A brilliant writer in the Edinburgh Review (Mr. Macauley) would account for the use of dialogue in Herodotus by the childish simplicity common to an early and artless age—as the boor always unconsciously resorts to the dramatic form of narration, and relates his story by a series of “says he’s” and “says I’s.” But does not Mr. Macauley, in common with many others, insist far too much on the artlessness of the age and the unstudied simplicity of the writer? Though history itself was young, art was already at its zenith. It was the age of Sophocles, Phidias, and Pericles. It was from the Athenians, in their most polished period, that Herodotus received the most rapturous applause. Do not all accounts of Herodotus, as a writer, assure us that he spent the greater part of a long life in composing, polishing, and perfecting his history; and is it not more in conformity with the characteristic spirit of the times, and the masterly effects which Herodotus produces, to conclude, that what we suppose to be artlessness was, in reality, the premeditated elaboration of art?