But the first requires as intense a study as the last; and they who talk of the savage and untutored genius of Aeschylus, are no wiser than the critics who applied the phrase of “native wood-notes wild” to the consummate philosophy of “Hamlet,” the anatomical correctness of “Othello,” the delicate symmetry of “The Tempest.” With respect to the language of Aeschylus, ancient critics unite with the modern in condemning the straining of his metaphors, and the exaggeration of his images; yet they appear to me a necessary part of his genius, and of the effect it produces. But nothing can be more unsatisfactory and inconclusive than the theory of Schlegel, that such metaphors and images, such rugged boldness and irregular fire, are the characteristics of a literature in its infancy. On the contrary, as we have already seen, Phrynichus, the predecessor of Aeschylus, was as much characterized by sweetness and harmony, as Aeschylus by grandeur and headlong animation. In our own time, we have seen the cold classic school succeeded by one full of the faults which the German, eloquent but superficial, would ascribe to the infancy of literature. The diction of Aeschylus was the distinction of himself, and not of his age; if it require an apology, let us not seek it in false pretences; if he had written after Euripides, his diction would have been equally startling, and his metaphors equally lofty. His genius was one of those which, in any age, can form an era, and not that which an era necessarily forms. He might have enriched his music from the strains of the Dorian lyres, but he required only one poet to have lived before him. The rest of the Greek dramatists required Aeschylus—Aeschylus required only Homer.
The POET is, indeed, the creator, not of images solely, but of men— not of one race of ideas and characters, but of a vast and interminable posterity scattered over the earth. The origin of what wonderful works, in what distant regions, in what various time, may be traced, step by step, from influence to influence, till we arrive at Homer! Such is the vitality of genius. The true spiritual transmigrator—it passes through all shapes—losing identity, but not life—and kindred to the GREAT INTELLIGENCE, which is the soul of matter—departing from one form only to animate another.
CHAPTER III.
Aristides.—His Character and Position.—The Rise of Themistocles.— Aristides is Ostracised.—The Ostracism examined.—The Influence of Themistocles increases.—The Silver-mines of Laurion.—Their Product applied by Themistocles to the Increase of the Navy.—New Direction given to the National Character.
I. While the progress of the drama and the genius of Aeschylus contributed to the rising renown of Athens, there appeared on the surface of her external affairs two rival and principal actors, of talents and designs so opposite, that it soon became evident that the triumph of one could be only in the defeat of the other. Before the battle of Marathon, Aristides had attained a very considerable influence in Athens. His birth was noble—his connexions wealthy—his own fortune moderate. He had been an early follower and admirer of Clisthenes, the establisher of popular institutions in Athens after the expulsion of the Pisistratidae, but he shared the predilection of many popular chieftains, and while opposing the encroachments of a tyranny, supported the power of an aristocracy. The system of Lycurgus was agreeable to his stern and inflexible temper. His integrity was republican—his loftiness of spirit was patrician. He had all the purity, the disinterestedness, and the fervour of a patriot—he had none of the suppleness or the passion of a demagogue; on the contrary, he seems to have felt much of that high-spirited disdain of managing a people which is common to great minds conscious that they are serving a people. His manners were austere, and he rather advised than persuaded men to his purposes. He pursued no tortuous policy, but marched direct to his object, fronting, and not undermining, the obstacles in his path. His reputation for truth and uprightness was proverbial, and when some lines in Aeschylus were recited on the stage, implying that “to be, and not to seem, his wisdom was,” the eyes of the spectators were fixed at once upon Aristides. His sternness was only for principles—he had no harshness for men. Priding himself on impartiality between friends and foes, he pleaded for the very person whom the laws obliged him to prosecute; and when once, in his capacity of arbiter between two private persons, one of the parties said that his opponent had committed many injuries against Aristides, he rebuked him nobly: “Tell me not,” he said, “of injuries against myself, but against thee. It is thy cause I am adjudging, and not my own.” It may be presumed, that with these singular and exalted virtues, he did not seek to prevent the wounds they inflicted upon the self-love of others, and that the qualities of a superior mind were displayed with the bearing of a haughty spirit. He became the champion of the aristocratic party, and before the battle of Marathon he held the office of public treasurer. In this capacity Plutarch asserts that he was subjected to an accusation by Themistocles, and even intimates that Themistocles himself had been his predecessor in that honourable office [31]. But the youth of Themistocles contradicts this statement; and though his restless and ambitious temper had led him already into active life, and he might have combined with others more influential against Aristides, it can scarcely be supposed that, possessing no advantages of birth, he rose into much power or distinction, till he won sudden and popular applause by his gallantry at Marathon.
II. Themistocles was of illegitimate birth, according to the Athenian prejudice, since his mother was a foreigner. His father, though connected with the priestly and high-born house of the Lycomedae, was not himself a Eupatrid. The young Themistocles had many of the qualities which the equivocal condition of illegitimacy often educes from active and stirring minds—insolence, ostentation, the desire to shine, and the invincible ambition to rise. He appears, by a popular tale, to have early associated with his superiors, and to have evinced betimes the art and address which afterward distinguished him. At a meeting of all the illegitimate youths assembled at the wrestling-ring at Cynosarges, dedicated to Hercules, he persuaded some of the young nobles to accompany him, so as to confound as it were the distinction between the legitimate and the baseborn. His early disposition was bold, restless, and impetuous. He paid little attention to the subtleties of schoolmen, or the refinements of the arts; but even in boyhood devoted himself to the study of politics and the arts of government. He would avoid the sports and occupations of his schoolfellows, and compose declamations, of which the subject was the impeachment or defence of some of his young friends. His dispositions prophesied of his future career, and his master was wont to say, “that he was born to be a blessing or a curse to the commonwealth.” His strange and precocious boyhood was followed by a wild and licentious youth. He lived in extremes, and alternated between the loosest pleasures [32] and the most daring ambition. Entering prematurely into public life, either his restless disposition or his political principles embroiled him with men of the highest rank. Fearless and sanguine, he cared not whom he attacked, or what he adventured; and, whatever his conduct before the battle of Marathon, the popular opinions he embraced could not but bring him, after that event, in constant opposition to Aristides, the champion of the Areopagus.
That splendid victory which gave an opening to his career sharpened his ambition. The loud fame of Miltiades, yet unconscious of reverse, inspired him with a lofty envy. He seems from that period to have forsaken his more youthful excesses. He abstained from his wonted pursuits and pleasures—he indulged much in solitary and abstracted thought—he watched whole nights. His friends wondered at the change, and inquired the cause. “The trophies of Miltiades,” said he, “will not suffer me to sleep.” From these meditations, which are common to most men in the interval between an irregular youth and an aspiring manhood, he soon seems to have awakened with fixed objects and expanded views. Once emerged from the obscurity of his birth, his success was rapid, for he possessed all the qualities which the people demanded in a leader—not only the talents and the courage, but the affability and the address. He was an agreeable and boon companion— he committed to memory the names of the humblest citizens—his versatility enabled him to be all things to all men. Without the lofty spirit and beautiful mind of Pericles, without the prodigal but effeminate graces of Alcibiades—without, indeed, any of their Athenian poetry in his intellectual composition, he yet possessed much of their powers of persuasion, their ready talent for business, and their genius of intrigue. But his mind, if coarser than that of either of his successors, was yet perhaps more masculine and determined; nothing diverted him from his purpose—nothing arrested his ambition. His ends were great, and he associated the rise of his country with his more selfish objects, but he was unscrupulous as to his means. Avid of glory, he was not keenly susceptible to honour. He seems rather not to have comprehended, than comprehending, to have disdained the limits which principle sets to action. Remarkably far-sighted, he possessed, more than any of his contemporaries, the prophetic science of affairs: patient, vigilant, and profound, he was always energetic, because always prepared.
Such was the rival of Aristides, and such the rising leader of the popular party at Athens.