Ernest Maltravers — Complete

by Baron Edward Bulwer Lytton Lytton

Every syllable of this speech was uttered with that thrilling distinctness which seems as if the depth of the heart spoke in the voice. But Cesarini did not appear to understand its import. He seized Maltravers by the arm, and looked in his face with a wild and menacing glare.

“Did you tell me she was dying?” he said. “I ask you that question: why do you not answer me? Oh, by the way, you threaten me with your vengeance. Know you not that I long to meet you front to front, and to the death? Did I not tell you so—did I not try to move your slow blood—to insult you into a conflict in which I should have gloried? Yet then you were marble.”

“Because my wrong I could forgive, and hers—there was then a hope that hers might not need the atonement. Away!”

Maltravers shook the hold of the Italian from his arm, and passed on. A wild, sharp yell of despair rang after him, and echoed in his ear as he strode the long, dim, solitary stairs that led to the death-bed of Florence Lascelles.

Maltravers entered the room adjoining that which contained the sufferer—the same room, still gay and cheerful, in which had been his first interview with Florence since their reconciliation.

Here he found the physician dozing in a fauteuil. Lady Florence had fallen asleep during the last two or three hours. Lord Saxingham was in his own apartment, deeply and noisily affected; for it was not thought that Florence could survive the night.

Maltravers sat himself quietly down. Before him, on a table, lay several manuscript books, gaily and gorgeously bound; he mechanically opened them. Florence’s fair, noble Italian characters met his eye in every page. Her rich and active mind, her love for poetry, her thirst for knowledge, her indulgence of deep thought, spoke from those pages like the ghosts of herself. Often, underscored with the marks of her approbation, he chanced upon extracts from his own works, sometimes upon reflections by the writer herself, not inferior in truth and depth to his own; snatches of wild verse never completed, but of a power and energy beyond the delicate grace of lady-poets; brief, vigorous criticisms on books, above the common holiday studies of the sex; indignant and sarcastic aphorisms on the real world, with high and sad bursts of feeling upon the ideal one; all chequering and enriching the various volumes, told of the rare gifts with which this singular girl was endowed—a herbal, as it were, of withered blossoms that might have borne Hesperian fruits. And sometimes in these outpourings of the full mind and laden heart were allusions to himself, so tender and so touching—the pencilled outline of his features, traced by memory in a thousand aspects—the reference to former interviews and conversations—the dates and hours marked with a woman’s minute and treasuring care!—all these tokens of genius and of love spoke to him with a voice that said, “And this creature is lost to you, forever: you never appreciated her till the time for her departure was irrevocably fixed!”

Maltravers uttered a deep groan; all the past rushed over him. Her romantic passion for one yet unknown—her interest in his glory—her zeal for his life of life, his spotless and haughty name. It was as if with her, Fame and Ambition were dying also, and henceforth nothing but common clay and sordid motives were to be left on earth.

How sudden—how awfully sudden had been the blow! True, there had been an absence of some months in which the change had operated. But absence is a blank, a nonentity. He had left her in apparent health, in the time of prosperity and pride. He saw her again—stricken down in body and temper—chastened—humbled—dying. And this being, so bright and lofty, how had she loved him! Never had he been so loved, except in that morning dream, haunted by the vision of the lost and dim-remembered Alice. Never on earth could he be so loved again. The air and aspect of the whole chamber grew to him painful and oppressive. It was full of her—the owner! There the harp, which so well became her muse-like form that it was associated with her like a part of herself! There the pictures, fresh and glowing from her hand,-the grace—the harmony—the classic and simple taste everywhere displayed.

Rousseau has left to us an immortal portrait of the lover waiting for the first embraces of his mistress. But to wait with a pulse as feverish, a brain as dizzy, for her last look—to await the moment of despair, not rapture—to feel the slow and dull time as palpable a load upon the heart, yet to shrink from your own impatience, and wish that the agony of suspense might endure for ever—this, oh, this is a picture of intense passion—of flesh and blood reality—of the rare and solemn epochs of our mysterious life—which had been worthier the genius of that “Apostle of Affliction”!