Eugene Aram — Volume 04

by Baron Edward Bulwer Lytton Lytton

The time approaches,
That will with due precision make us know,
What—
—Macbeth.

The next morning Walter rose early, and descending into the court-yard of the inn, he there met with the landlord, who—a hoe in his hand,—was just about to enter a little gate that led into the garden. He held the gate open for Walter.

"It is a fine morning, Sir; would you like to look into the garden," said mine host, with an inviting smile.

Walter accepted the offer, and found himself in a large and well-stocked garden, laid out with much neatness and some taste; the Landlord halted by a parterre which required his attention, and Walter walked on in solitary reflection.

The morning was serene and clear, but the frost mingled the freshness with an "eager and nipping air," and Walter unconsciously quickened his step as he paced to and fro the straight walk that bisected the garden, with his eyes on the ground, and his hat over his brows.

Now then he had reached the place where the last trace of his father seemed to have vanished; in how wayward and strange a manner! If no further clue could be here discovered by the inquiry he purposed; at this spot would terminate his researches and his hopes. But the young heart of the traveller was buoyed up with expectation. Looking back to the events of the last few weeks, he thought he recognised the finger of Destiny guiding him from step to step, and now resting on the scene to which it had brought his feet. How singularly complete had been the train of circumstance, which, linking things seemingly most trifling—most dissimilar, had lengthened into one continuous chain of evidence! the trivial incident that led him to the saddler's shop; the accident that brought the whip that had been his father's, to his eye; the account from Courtland, which had conducted him to this remote part of the country; and now the narrative of Elmore leading him to the spot, at which all inquiry seemed as yet to pause! Had he been led hither only to hear repeated that strange tale of sudden and wanton disappearance—to find an abrupt wall, a blank and impenetrable barrier to a course, hitherto so continuously guided on? had he been the sport of Fate, and not its instrument? No; he was filled with a serious and profound conviction, that a discovery that he of all men was best entitled by the unalienable claims of blood and birth to achieve was reserved for him, and that this grand dream and nursed object of his childhood was now about to be embodied and attained. He could not but be sensible, too, that as he had proceeded on his high enterprise, his character had acquired a weight and a thoughtful seriousness, which was more fitted to the nature of that enterprise than akin to his earlier temper. This consciousness swelled his bosom with a profound and steady hope. When Fate selects her human agents, her dark and mysterious spirit is at work within them; she moulds their hearts, she exalts their energies, she shapes them to the part she has allotted them, and renders the mortal instrument worthy of the solemn end.

Thus chewing the cud of his involved and deep reflection, the young adventurer paused at last opposite his host, who was still bending over his pleasant task, and every now and then, excited by the exercise and the fresh morning air, breaking into snatches of some old rustic song. The contrast in mood between himself and this!

"Unvexed loiterer by the world's green ways" struck forcibly upon him. Mine host, too, was one whose appearance was better suited to his occupation than his profession. He might have told some three-and-sixty years, but it was a comely and green old age; his cheek was firm and ruddy, not with nightly cups, but the fresh witness of the morning breezes it was wont to court; his frame was robust, not corpulent; and his long grey hair, which fell almost to his shoulder, his clear blue eyes, and a pleasant curve in a mouth characterized by habitual good humour, completed a portrait that even many a dull observer would have paused to gaze upon. And indeed the good man enjoyed a certain kind of reputation for his comely looks and cheerful manner. His picture had even been taken by a young artist in the neighbourhood; nay, the likeness had been multiplied into engravings, somewhat rude and somewhat unfaithful, which might be seen occupying no inconspicuous or dusty corner in the principal printshop of the town: nor was mine host's character a contradiction to his looks. He had seen enough of life to be intelligent, and had judged it rightly enough to be kind. He had passed that line so nicely given to man's codes in those admirable pages which first added delicacy of tact to the strong sense of English composition. "We have just religion enough," it is said somewhere in the Spectator, "to make us hate, but not enough to make us love one another." Our good landlord, peace be with his ashes! had never halted at this limit. The country innkeeper might have furnished Goldsmith with a counterpart to his country curate; his house was equally hospitable to the poor—his heart equally tender, in a nature wiser than experience, to error, and equally open, in its warm simplicity, to distress. Peace be with thee—Our grandsire was thy patron—yet a patron thou didst not want. Merit in thy capacity is seldom bare of reward. The public want no indicators to a house like thine. And who requires a third person to tell him how to appreciate the value of good nature and good cheer?

As Walter stood, and contemplated the old man bending over the sweet fresh earth, (and then, glancing round, saw the quiet garden stretching away on either side with its boundaries lost among the thick evergreen,) something of that grateful and moralizing stillness with which some country scene (the rura et silentium) generally inspires us, when we awake to its consciousness from the troubled dream of dark and unquiet thought, stole over his mind: and certain old lines which his uncle, who loved the soft and rustic morality that pervades the ancient race of English minstrels, had taught him, when a boy, came pleasantly into his recollection,

"With all, as in some rare-limn'd book, we see
Here painted lectures of God's sacred will.
The daisy teacheth lowliness of mind;
The camomile, we should be patient still;
The rue, our hate of Vice's poison ill;
The woodbine, that we should our friendship hold;
Our hope the savory in the bitterest cold."
—[Henry Peacham.]