FROM ERASMUS FALKLAND, ESQ., TO LADY EMILY MANDEVILLE.

How are you this morning, my adored friend? You seemed pale and ill when we parted last night, and I shall be so unhappy till I hear something of you. Oh, Emily, when you listened to me with those tearful and downcast looks; when I saw your bosom heave at every word which I whispered in your ear; when, as I accidentally touched your hand, I felt it tremble beneath my own; oh! was there nothing in those moments at your heart which pleaded for me more eloquently than words? Pure and holy as you are, you know not, it is true, the feelings which burn and madden in me. When you are beside me, your hand, if it trembles, is not on fire, your voice, if it is more subdued, does not falter with the emotions it dares not express: your heart is not like mine, devoured by a parching and wasting flame: your sleep is not turned by restless and turbulent dreams from the healthful renewal, into the very consumer, of life. No, Emily! God forbid that you should feel the guilt, the agony which preys upon me; but, at least, in the fond and gentle tenderness of your heart, there must be a voice you find it difficult to silence. Amidst all the fictitious ties and fascinations of art, you cannot dismiss from your bosom the unconquerable impulse of nature. What is it you fear?—you will answer, disgrace! But can you feel it, Emily, when you share it with me? Believe me that the love which is nursed through shame and sorrow is of a deeper and holier nature than that which is reared in pride, fostered in joy. But, if not shame, it is guilt, perhaps, which you dread? Are you then so innocent now? The adultery of the heart is no less a crime than that of the deed; and—yet I will not deceive you—it is guilt to which I tempt you!—it is a fall from the proud eminence you hold now. I grant this, and I offer you nothing in recompense but my love. If you loved like me, you would feel that it was something of pride—of triumph—to dare all things, even crime, for the one to whom all things are as nought! As for me, I know that if a voice from Heaven told me to desert you, I would only clasp you the closer to my heart!

I tell you, my own love, that when your hand is in mine, when your head rests upon my bosom, when those soft and thrilling eyes shall be fixed upon my own, when every sigh shall be mingled with my breath, and every tear be kissed away at the very instant it rises from its source—I tell you that then you shall only feel that every pang of the past, and every fear for the future, shall be but a new link to bind us the firmer to each other. Emily, my life, my love, you cannot, if you would, desert me. Who can separate the waters which are once united, or divide the hearts which have met and mingled into one?

Since they had once more met, it will be perceived that Falkland had adopted a new tone in expressing his passion to Emily. In the book of guilt another page, branded in a deeper and more burning character, had been turned. He lost no opportunity of summoning the earthlier emotions to the support of his cause. He wooed her fancy with the golden language of poetry, and strove to arouse the latent feelings of her sex by the soft magic of his voice, and the passionate meaning it conveyed. But at times there came over him a deep and keen sentiment of remorse; and even, as his experienced and practised eye saw the moment of his triumph approach, he felt that the success he was hazarding his own soul and hers to obtain, might bring him a momentary transport, but not a permanent happiness. There is always this difference in the love of women and of men; that in the former, when once admitted, it engrosses all the sources of thought, and excludes every object but itself; but in the latter, it is shared with all the former reflections and feelings which the past yet bequeaths us, and can neither (however powerful be its nature) constitute the whole of our happiness or woe. The love of man in his maturer years is not indeed so much a new emotion, as a revival and concentration of all his departed affections to others; and the deep and intense nature of Falkland’s passion for Emily was linked with the recollections of whatever he had formerly cherished as tender or dear; it touched—it awoke a long chain of young and enthusiastic feelings, which arose, perhaps, the fresher from their slumber. Who, when he turns to recall his first and fondest associations; when he throws off, one by one, the layers of earth and stone which have grown and hardened over the records of the past: who has not been surprised to discover how fresh and unimpaired those buried treasures rise again upon his heart? They have been laid up in the storehouse of Time; they have not perished; their very concealment has preserved them! We remove the lava, and the world of a gone day is before us!

The evening of the day on which Falkland had written the above letter was rude and stormy. The various streams with which the country abounded were swelled by late rains into an unwonted rapidity and breadth; and their voices blended with the rushing sound of the winds, and the distant roll of the thunder, which began at last sullenly to subside. The whole of the scene around L——— was of that savage yet sublime character, which suited well with the wrath of the aroused elements. Dark woods, large tracts of unenclosed heath, abrupt variations of hill and vale, and a dim and broken outline beyond of uninterrupted mountains, formed the great features of that romantic country.

It was filled with the recollections of his youth, and of the wild delight which he took then in the convulsions and varieties of nature, that Falkland roamed abroad that evening. The dim shadows of years, crowded with concealed events and corroding reflections, all gathered around his mind, and the gloom and tempest of the night came over him like the sympathy of a friend.

He passed a group of terrified peasants; they were cowering under a tree. The oldest hid his head and shuddered; but the youngest looked steadily at the lightning which played at fitful intervals over the mountain stream that rushed rapidly by their feet. Falkland stood beside them unnoticed and silent, with folded arms and a scornful lip. To him, nature, heaven, earth had nothing for fear, and everything for reflection. In youth, thought he (as he contrasted the fear felt at one period of life with the indifference at another), there are so many objects to divide and distract life, that we are scarcely sensible of the collected conviction that we live. We lose the sense of what is by thinking rather of what is to be. But the old, who have no future to expect, are more vividly alive to the present, and they feel death more, because they have a more settled and perfect impression of existence.

He left the group, and went on alone by the margin of the winding and swelling stream. “It is (said a certain philosopher) in the conflicts of Nature that man most feels his littleness.” Like all general maxims, this is only partially true. The mind, which takes its first ideas from perception, must take also its tone from the character of the objects perceived. In mingling our spirits with the great elements, we partake of their sublimity; we awaken thought from the secret depths where it had lain concealed; our feelings are too excited to remain riveted to ourselves; they blend with the mighty powers which are abroad; and as, in the agitations of men, the individual arouses from himself to become a part of the crowd, so in the convulsions of nature we are equally awakened from the littleness of self, to be lost in the grandeur of the conflict by which we are surrounded.

Falkland still continued to track the stream: it wound its way through Mandeville’s grounds, and broadened at last into the lake which was so consecrated to his recollections. He paused at that spot for some moments, looking carelessly over the wide expanse of waters, now dark as night, and now flashing into one mighty plain of fire beneath the coruscations of the lightning. The clouds swept on in massy columns, dark and aspiring-veiling, while they rolled up to, the great heavens, like the shadows of human doubt. Oh! weak, weak was that dogma of the philosopher! There is a pride in the storm which, according to his doctrine, would debase us; a stirring music in its roar; even a savage joy in its destruction: for we can exult in a defiance of its power, even while we share in its triumphs, in a consciousness of a superior spirit within us to that which is around. We can mock at the fury of the elements, for they are less terrible than the passions of the heart; at the devastations of the awful skies, for they are less desolating than the wrath of man; at the convulsions of that surrounding nature which has no peril, no terror to the soul, which is more indestructible and eternal than itself. Falkland turned towards the house which contained his world; and as the lightning revealed at intervals the white columns of the porch, and wrapt in sheets of fire, like a spectral throng, the tall and waving trees by which it was encircled, and then as suddenly ceased, and “the jaws of darkness” devoured up the scene; he compared, with that bitter alchymy of feeling which resolves all into one crucible of thought, those alternations of sight and shadow to the history of his own guilty love—that passion whose birth was the womb of Night; shrouded in darkness, surrounded by storms, and receiving only from the angry heavens a momentary brilliance, more terrible than its customary gloom.

As he entered the saloon, Lady Margaret advanced towards him. “My dear Falkland,” said she, “how good it is in you to come in such a night. We have been watching the skies till Emily grew terrified at the lightning; formerly it did not alarm her.” And Lady Margaret turned, utterly unconscious of the reproach she had conveyed, towards Emily.