“And why should you rob me of the remembrance of that brief moment—that wild embrace? How often shall I recall it!—How often when the light step of her to whom I return glides around me, shall I cheat myself, and think it yours; when I feel her breath at night, shall I not start—and dream it comes from your lips? and in returning her unconscious caress, let me fancy it is you whispers me the assurances of unutterable love! Forgive me, Constance, my yet adored Constance, whom I shall never see more, for these wild words—this momentary weakness. Farewell! Whatever becomes of me, may God give you all His blessings!
“One word more—no, I will not close this letter yet! You remember that you once gave me a flower—years ago. I have preserved its leaves to this day; but I will give no indulgence to a folly that will now wrong you, and be unworthy of myself. I will send you back those leaves: let them plead for me, as the memories of former days. I must break off now, for I can literally write no more. I must go forth and recover my self-command. And oh! may she whom I seek to-morrow—whose unsuspecting heart admonished by temptation, I will watch over, guide, and shield far, far more zealously than I have yet done—never know what it has cost me, not to abandon and betray her.”
And Lucilla read over every word of this letter! How wholly impossible it is for language to express the agony, the hopeless, irremediable despair that deepened within her as she proceeded to the end! Everything that life had, or could ever have had for her, of common peace or joy, was blasted for ever! As she came to the last word, she bowed her head in silence over the writing, and felt as if some mighty rock had fallen upon her heart, and crushed it to dust. Had the letter breathed but one unkind—one slighting expression of her, it would have been some comfort—some rallying point, however forlorn and wretched; but this cruel tenderness—this bitter generosity!
And before she had read that letter, how joyously, how breathlessly she had anticipated rushing to her lover’s breast! It seems incredible that the space of a few minutes should suffice to blight a whole existence—blacken without a ray of hope an entire future!
She was aroused by the sound of steps, though in another apartment; she would not now have met Godolphin for worlds; the thought of his return alone gave her the power of motion. She thrust the fatal letter into her bosom; and then, in characters surprisingly distinct and clear, she wrote her name, and placed that writing in the stead of the epistle she took away. She judged rightly, that that single name would suffice to say all she could not then say. Having done this, she rose, left the room, and stole softly and unperceived into the open street.
Unconscious and careless whither she went, she hurried on, her eyes bent on the ground, and concealing her form and face with her long mantle. The streets at Rome are not thronged as with us; nor does there exist, in a city consecrated by so many sublime objects, that restless and vulgar curiosity which torments the English public. Each lives in himself, not in his neighbour. The moral air of Rome is Indifference.
Lucilla, therefore, hurried along unmolested and unobserved, until at length her feet failed her, and she sank exhausted, but still unconscious of her movements and of all around, upon one of the scattered fragments of ancient pride that at every turn are visible in the streets of Rome. The place was quiet and solitary, and darkened by the shadows of a palace that reared itself close beside. She sat down; and shrouding her face as it drooped over her breast, endeavoured to collect her thoughts. Presently the sound of a guitar was heard; and along the street came a little group of the itinerant musicians who invest modern Italy with its yet living air of poetry: the reality is gone, but the spirit lingers. They stopped opposite a small house; and Lucilla, looking up, saw the figure of a young girl placing a light at the window as a signal well known, and then she glided away. Meanwhile, the lover (who had accompanied the musicians, and seemed in no very elevated rank of life) stood bare-headed beneath; and in his upward look there was a devotion, a fondness, a respect, that brought back to Lucilla all the unsparing bitterness of contrast and recollection. And now the serenade began. The air was inexpressibly soft and touching, and the words were steeped in that vague melancholy which is inseparable from the tenderness, if not from the passion, of love. Lucilla listened involuntarily, and the charm slowly wrought its effect. The hardness and confusion of her mind melted gradually away, and as the song ended she turned aside and burst into tears. “Happy, happy girl!” she murmured; “she is loved!”
Here let us drop the curtain upon Lucilla. Often, O Reader! shalt thou recall this picture; often shalt thou see her before thee—alone and broken-hearted—weeping in the twilight streets of Rome!