Frequently, then, came the young Englishman to the lone house on the Appia Via; and the mysterious and unearthly conversation of the starry visionary afforded to him, who had early learned to scrutinise the varieties of his kind, a strange delight, heightened by the contrast it presented to the worldly natures with which he usually associated, and the commonplace occupations of a life in pursuit of pleasure.
And there was one who, child as she was, watched the coming of that young and beautiful stranger with emotion beyond her years. Brought up alone; mixing, since her mother’s death, with no companions of her age; catching dim and solemn glimpses of her father’s wild but lofty speculations; his books, filled with strange characters and imposing “words of mighty sound,” open for ever to her young and curious gaze; it can scarce be matter of wonder that something strange and unworldly mingled with the elements of character which Lucilla Volktman early developed—a character that was nature itself, yet of a nature erratic and bizarre. Her impulses she obeyed spontaneously, but none fathomed their origin. She was not of a quiet and meek order of mind; but passionate, changeful, and restless. She would laugh and weep without apparent cause; and the colour on her cheek never seemed for two minutes the same; and the most fitful changes of an April heaven were immutability itself compared with the play and lustre of expression that undulated in her features and her wild, deep, eloquent eyes.
Her person resembled her mind; it was beautiful; but the beauty struck you less than the singularity of its character. Her eyes were of a darkness that at night seemed black; but her hair was of the brightest and purest auburn; her complexion, sometimes pale, sometimes radiant even to the flush of a fever, was delicate and clear; her teeth and mouth were lovely beyond all words; her hands and feet were small to a fault; and as she grew up (for we have forestalled her age in this description) her shape, though wanting in height, was in such harmony and proportion, that the mind of the sculptor would sometimes escape from the absorption of the astrologer and Volktman would gaze upon her with the same admiration that he would have bestowed, in spite of the subject, on the goddess-forms of Phidias or Canova. But then, this beauty was accompanied with such endless variety of gesture, often so wild, though always necessarily graceful, that the eye ached for that repose requisite for prolonged admiration.
When she was spoken to, she did not often answer to the purpose, but rather appeared to reply as to some interrogatory of her own; in the midst of one occupation, she would start up to another; leave that, in turn, undone, and sit down in silence lasting for hours. Her voice, in singing, was exquisitely melodious; she had too, an intuitive talent for painting; and she read all the books that came in her way with an avidity that bespoke at once the restlessness and the genius of her mind.
This description of Lucilla must, I need scarcely repeat, be considered as applicable to her at some years distant from the time in which the young Englishman first attracted her childish but ardent imagination. To her, that face, with its regular and harmonious features, its golden hair, and soft, shy, melancholy aspect, seemed as belonging to a higher and brighter order of beings than those who, with exaggerated lineaments and swarthy hues, surrounded and displeased her. She took a strange and thrilling pleasure in creeping to his side, and looking up, when unobserved, at the countenance which, in his absence, she loved to imitate with her pencil by day; and to recall in her dreams at night. But she seldom spoke to him, and she shrank, covered with painful blushes, from his arms, whenever he attempted to bestow on her those caresses which children are wont to claim as an attention. Once, however, she summoned courage to ask him to teach her English, and he complied. She learned that language with surprising facility; and as Volktman loved its sound she grew familiar with its difficulties, by always addressing her father in a tongue which became inexpressibly dear to her. And the young stranger delighted to hear that soft and melodious voice, with its trembling, Italian accent, make music from the nervous and masculine language of his native land. Scarce accountably to himself, a certain tender and peculiar interest in the fortunes of this singular and bewitching child grew up within him—peculiar and not easily accounted for, in that it was not wholly the interest we feel in an engaging child, and yet was of no more interested nor sinister order. Were there truth in the science of the stars, I should say that they had told him her fate was to have affinity with his; and with that persuasion, something mysterious and more than ordinarily tender, entered into the affection he felt for the daughter of his friend.
The Englishman was himself of a romantic character. He had been self-taught; and his studies, irregular though often deep, had given directions to his intellect frequently enthusiastic and unsound. His imagination preponderated over his judgment; and any pursuit that attracted his imagination won his entire devotion, until his natural sagacity proved it deceitful. If at times, living as he did in that daily world which so sharpens our common sense, he smiled at the persevering fervour of the astrologer, he more often shared it; and he became his pupil in “the poetry of heaven,” with a secret but deep belief in the mysteries cultivated by his master. Carrying the delusion to its height, I fear that the enthusiast entered upon ground still more shadowy and benighted;—the old secrets of the alchymist, and perhaps even of those arcana yet more gloomy and less rational, were subjected to their serious contemplation; and night after night, they delivered themselves wholly up to that fearful and charmed fascination which the desire and effort to overleap our mortal boundaries produce even in the hardest and best regulated minds. The train of thought so long nursed by the abstruse and solitary Dane was, perhaps, a better apology for the weakness of credulity, than the youth and wandering fancy of the Englishman. But the scene around—not alluring to the one—fed to overflowing the romantic aspirations of the other.
On his way home, as the stars (which night had been spent in reading) began to wink and fade, the Englishman crossed the haunted Almo, renowned of yore for its healing virtues, and in whose stream the far-famed simulacrum, (the image of Cybele), which fell from heaven, was wont to be laved with every coming spring: and around his steps, till he gained his home, were the relics and monuments of that superstition which sheds so much beauty over all that, in harsh reasoning, it may be said to degrade; so that his mind, always peculiarly alive to external impressions, was girt, as it were, with an atmosphere favourable both to the lofty speculation and the graceful credulities of romance.
The Englishman remained at Rome, with slight intervals of absence, for nearly three years. On the night before the day in which he received intelligence of an event that recalled him to his native country, he repaired at an hour accidentally later than usual to the astrologer’s abode.