But instead of returning home, the desire for a brief solitude and self-commune, which usually follows strong excitement, (and which, in all less ordinary events, suggested his sole counsellors or monitors to the musing Godolphin), led his steps in an opposite direction. Scarcely conscious whither he was wandering, he did not pause till he found himself in that green and still valley in which the pilgrim beholds the grotto of Egeria.
It was noon, and the day warm, but not overpowering. The leaf slept on the old trees that are scattered about that little valley; and amidst the soft and rich turf the wanderer’s step disturbed the lizard, basking its brilliant hues in the noontide, and glancing rapidly through the herbage as it retreated. And from the trees, and through the air, the occasional song of the birds (for in Italy their voices are rare) floated with a peculiar clearness, and even noisiness of music, along the deserted haunts of the Nymph.
The scene, rife with its beautiful associations, recalled Godolphin from his reverie. “And here,” thought he, “Fable has thrown its most lovely enduring enchantment: here, every one who has tasted the loves of earth, and sickened for the love that is ideal, finds a spell more attractive to his steps—more fraught with contemplation to his spirit, than aught raised by the palace of the Caesars or the tomb of the Scipios.”
Thus meditating, and softened by the late scene with Lucilla, (to which his thoughts again recurred), he sauntered onward to the steep side of the bank, in which faith and tradition have hollowed out the grotto of the goddess. He entered the silent cavern, and bathed his temples in the delicious waters of the fountain.
It was perhaps well that it was not at that moment Lucilla made to him her strange and unlooked-for confession: again and again he said to himself (as if seeking for a justification of his self-sacrifice), “Her father was not Italian, and possessed feeling and honour: let me not forget that he loved me!” In truth, the avowal of this wild girl; an avowal made indeed with the ardour—but also breathing of the innocence, the inexperience—of her character—had opened to his fancy new and not undelicious prospects. He had never loved her, save with a lukewarm kindness, before that last hour; but now, in recalling her beauty, her tears, her passionate abandonment can we wonder that he felt a strange beating at his heart, and that he indulged that dissolved and luxurious vein of tender meditation which is the prelude to all love? We must recall, too, the recollection of his own temper, so constantly yearning for the unhackneyed, the untasted; and his deep and soft order of imagination, by which he involuntarily conjured up the delight of living with one, watching one, so different from the rest of the world, and whose thoughts and passions (wild as they might be) were all devoted to him!
And in what spot were these imaginings fed and coloured? In a spot which in the nature of its divine fascination could be found only beneath one sky, that sky the most balmy and loving upon earth! Who could think of love within the haunt and temple of
“That Nympholepsy of some fond despair,”
and not feel that love enhanced, deepened, modulated, into at once a dream and a desire?
It was long that Godolphin indulged himself in recalling the image of Lucilla; but nerved at length and gradually, by harder, and we may hope better, sentiments than those of a love which he could scarcely indulge without criminality on the one hand, or, what must have appeared to the man of the world, derogatory folly on the other; he turned his thoughts into a less voluptuous channel, and prepared, though with a reluctant step, to depart homewards. But what was his amaze, his confusion, when, on reaching the mouth of the cave, he saw within a few steps of him Lucilla herself!
She was walking alone and slowly, her eyes bent upon the ground, and did not perceive him. According to a common custom with the middle classes of Rome, her rich hair, save by a single band, was uncovered; and as her slight and exquisite form moved along the velvet sod, so beautiful a shape, and a face so rare in its character, and delicate in its expression, were in harmony with the sweet superstition of the spot, and seemed almost to restore to the deserted cave and the mourning stream their living Egeria.