Godolphin, Volume 1.

by Baron Edward Bulwer Lytton Lytton

They opened a little gate at the other extremity of the bridge, and in a few minutes more, they stood at the entrance to the Priory.

It was an oak door, studded with nails. The jessamine grew upon either side; and, to descend to a commonplace matter, they had some difficulty in finding the bell among the leaves in which it was imbedded. When they had found and touched it, its clear and lively sound rang out in that still and lovely though desolate spot, with an effect startling and impressive from its contrast. There is something very fairy-like in the cheerful voice of a bell sounding among the wilder scenes of nature, particularly where Time advances his claim to the sovereignty of the landscape; for the cheerfulness is a little ghostly, and might serve well enough for a tocsin to the elvish hordes whom our footsteps may be supposed to disturb.

An old woman, in the neat peasant dress of our country, when, taking a little from the fashion of the last century (the cap and the kerchief), it assumes no ungraceful costume,—replied to their summons. She was the solitary cicerone of the place. She had lived there, a lone and childless widow, for thirty years; and, of all the persons I have ever seen, would furnish forth the best heroine to one of those pictures of homely life which Wordsworth has dignified with the partriarchal tenderness of his genius.

They wound a narrow passage, and came to the ruins of the great hall. Its gothic arches still sprang lightly upward on either side; and, opening a large stone box that stood in a recess, the old woman showed them the gloves, and the helmet, and the tattered banners, which had belonged to that Godolphin who had fought side by side with Sidney, when he, whose life—as the noblest of British lyrists hath somewhere said—was "poetry put into action,"[1] received his death-wound in the field of Zutphen.

Thence they ascended by the dilapidated and crumbling staircase, to a small room, in which the visitors were always expected to rest themselves, and enjoy the scene in the garden below. A large chasm yawned where the casement once was; and round this aperture the ivy wreathed itself in fantastic luxuriance. A sort of ladder, suspended from this chasm to the ground, afforded a convenience for those who were tempted to a short excursion by the view without.

And the view was tempting! A smooth green lawn, surrounded by shrubs and flowers, was ornamented in the centre by a fountain. The waters were, it is true, dried up; but the basin, and the "Triton with his wreathed shell," still remained. A little to the right was an old monkish sun-dial; and through the green vista you caught the glimpse of one of those gray, grotesque statues with which the taste of Elizabeth's day shamed the classic chisel.

There was something quiet and venerable about the whole place; and when the old woman said to Constance, "Would you not like, my lady, to walk down and look at the sun-dial and the fountain?" Constance felt she required nothing more to yield to her inclination. Lady Erpingham, less adventurous, remained in the ruined chamber; and the old woman, naturally enough, honoured the elder lady with her company.

Constance, therefore, descended the rude steps alone. As she paused by the fountain, an indescribable and delicious feeling of repose stole over a mind that seldom experienced any sentiment so natural or so soft. The hour, the stillness, the scene, all conspired to lull the heart into that dreaming and half-unconscious reverie in which poets would suppose the hermits of elder times to have wasted a life, indolent, and yet scarcely, after all, unwise. "Methinks," she inly soliloquised, "while I look around, I feel as if I could give up my objects of life; renounce my hopes; forget to be artificial and ambitious; live in these ruins, and," (whispered the spirit within,) "loved and loving, fulfil the ordinary doom of woman."

Indulging a mood, which the proud and restless Constance, who despised love as the poorest of human weaknesses, though easily susceptible to all other species of romance, had scarcely ever known before, she wandered away from the lawn into one of the alleys cut amidst the grove around. Caught by the murmur of an unseen brook, she tracked it through the trees, as its sound grew louder and louder on her ear, till at length it stole upon her sight. The sun, only winning through the trees at intervals, played capriciously upon the cold and dark waters as they glided on, and gave to her, as the same effect has done to a thousand poets, ample matter for a simile or a moral.

She approached the brook, and came unawares upon the figure of a young man, leaning against a stunted tree that overhung the waters, and occupied with the idle amusement of dropping pebbles in the stream. She saw only his profile; but that view is, in a fine countenance, almost always the most striking and impressive, and it was eminently so in the face before her. The stranger, who was scarcely removed from boyhood, was dressed in deep mourning. He seemed slight, and small of stature. A travelling cap of sables contrasted, not hid, light brown hair of singular richness and beauty. His features were of that pure and severe Greek of which the only fault is that in the very perfection of the chiselling of the features there seems something hard and stern. The complexion was pale, even to wanness; and the whole cast and contour of the head were full of intellect, and betokening that absorption of mind which cannot be marked in any one without exciting a certain vague curiosity and interest.