Godolphin, Volume 2.

by Baron Edward Bulwer Lytton Lytton

CHAPTER XVIII.

THE INTERVIEW.—THE CRISIS OF A LIFE.

The western chamber was that I have mentioned as the one in which Constance usually fixed her retreat, when neither sociability nor state summoned her to the more public apartments. I should have said that Godolphin slept in the house; for, coming from a distance and through country roads, Lady Erpingham had proffered him that hospitality, and he had willingly accepted it. Before the appointed hour, he was at the appointed spot.

He had passed the hours till then without even seeking his pillow. In restless strides across his chamber, he had revolved those words with which Constance had seemed to deny the hopes she herself had created. All private and more selfish schemes or reflections had vanished, as by magic, from the mind of a man prematurely formed, but not yet wholly hardened in the mould of worldly speculation. He thought no more of what he should relinquish in obtaining her hand; with the ardour of boyish and real love, he thought only of her. It was as if there existed no world but the little spot in which she breathed and moved. Poverty, privation, toil, the change of the manners and habits of his whole previous life, to those of professional enterprise and self-denial;—to all this he looked forward, not so much with calmness as with triumph.

"Be but Constance mine!" said he again and again; and again and again those fatal words knocked at his heart, "No hope—none!" and he gnashed his teeth in very anguish, and muttered, "But mine she will not—she will never be!"

Still, however, before the hour of noon, something of his habitual confidence returned to him. He had succeeded, though but partially, in reasoning away the obvious meaning of the words; and he ascended to the chamber from the gardens, in which he had sought, by the air, to cool his mental fever, with a sentiment, ominous and doubtful indeed, but still removed from despondency and despair.

The day was sad and heavy. A low, drizzling rain, and labouring yet settled clouds, which denied all glimpse of the sky, and seemed cursed into stagnancy by the absence of all wind or even breeze, increased by those associations we endeavour in vain to resist, the dark and oppressive sadness of his thoughts.

He paused as he laid his hand on the door of the chamber: he listened; and in the acute and painful life which seemed breathed into all his senses, he felt as if he could have heard,—though without the room,—the very breath of Constance; or known, as by an inspiration, the presence of her beauty. He opened the door gently; all was silence and desolation for him—Constance was not there!

He felt, however, as if that absence was a relief. He breathed more freely, and seemed to himself more prepared for the meeting. He took his station by the recess of the window: in vain—he could rest in no spot: he walked to and fro, pausing only for a moment as some object before him reminded him of past and more tranquil hours. The books he had admired and which, at his departure, had been left in their usual receptacle at another part of the house, he now discovered on the tables: they opened of themselves at the passages he had read aloud to Constance: those pages, in his presence, she had not seemed to admire; he was inexpressibly touched to perceive that, in his absence, they had become dear to her. As he turned with a beating heart from this silent proof of affection, he was startled by the sudden and almost living resemblance to Constance, which struck upon him in a full-length picture opposite—the picture of her father. That picture, by one of the best of our great modern masters of the art, had been taken of Vernon in the proudest epoch of his prosperity and fame. He was portrayed in the attitude in which he had uttered one of the most striking sentences of one of his most brilliant orations: the hand was raised, the foot advanced, the chest expanded. Life, energy, command, flashed from the dark eye, breathed from the dilated nostril, broke from the inspired lip. That noble brow—those modelled features—that air, so full of the royalty of genius—how startlingly did they resemble the softer lineaments of Constance!

Arrested, in spite of himself, by the skill of the limner, and the characteristic of the portrait Godolphin stood, motionless and gazing, till the door opened, and Constance herself stood before him. She smiled faintly, but with sweetness as she approached; and seating herself, motioned him to a chair at a little distance. He obeyed the gesture in silence.