Godolphin, Volume 2.

by Baron Edward Bulwer Lytton Lytton

Carriage after carriage had rolled beneath the windows of the room where Constance sat, and still she moved not; until at length a certain composure, as if the result of some determination, stole over her features. The brilliant and transparent hues returned to her cheek, and, as she rose and stood erect with a certain calmness and energy on her lip and forehead, perhaps her beauty had never seemed of so lofty and august a cast. In passing through the chamber, she stopped for a moment opposite the mirror that reflected her stately shape in its full height. Beauty is so truly the weapon of woman, that it is as impossible for her, even in grief, wholly to forget its effect, as it is for the flying warrior to look with indifference on the sword with which he has won his trophies or his fame. Nor was Constance that evening disposed to be indifferent to the effect she should produce. She looked on the reflection of herself with a feeling of triumph, not arising from vanity alone.

And when did mirror ever give back a form more worthy of a Pericles to worship, or an Apelles to paint? Though but little removed from the common height, the impression Constance always gave was that of a person much taller than she really was. A certain majesty in the turn of the head, the fall of the shoulders, the breadth of the brow, and the exceeding calmness of the features, invested her with an air which I have never seen equalled by any one, but which, had Pasta been a beauty, she might have possessed. But there was nothing hard or harsh in this majesty. Whatsoever of a masculine nature Constance might have inherited, nothing masculine, nothing not exquisitely feminine, was visible in her person. Her shape was rounded, and sufficiently full to show, that in middle age its beauty would be preserved by that richness and freshness which a moderate increase of the proportions always gives to the sex. Her arms and hands were, and are, even to this day, of a beauty the more striking, because it is so rare. Nothing in any European country is more uncommon than an arm really beautiful both in hue and shape. In any assembly we go to, what miserable bones, what angular elbows, what red skins, do we see under the cover of those capacious sleeves, which are only one whit less ugly. At the time I speak of, those coverings were not worn; and the white, round, dazzling arm of Constance, bare almost to the shoulder, was girded by dazzling gems, which at once set off, and were foiled by, the beauty of nature. Her hair was of the most luxuriant, and of the deepest, black; and it was worn in a fashion—then uncommon, without being bizarre—now hackneyed by the plainest faces, though suiting only the highest order of beauty—I mean that simple and classic fashion to which the French have given a name borrowed from Calypso, but which appears to me suited rather to an intellectual than a voluptuous goddess. Her long lashes, and a brow delicately but darkly pencilled, gave additional eloquence to an eye of the deepest blue, and a classic contour to a profile so slightly aquiline, that it was commonly considered Grecian. That necessary completion to all real beauty of either sex, the short and curved upper lip, terminated in the most dazzling teeth and the ripe and dewy under lip added to what was noble in her beauty that charm also which is exclusively feminine. Her complexion was capricious; now pale, now tinged with the pink of the sea-shell, or the softest shade of the rose leaf: but in either it was so transparent, that you doubted which became her the most. To these attractions, add a throat, a bust of the most dazzling whiteness, and the justest proportions; a foot, whose least beauty was its smallness, and a waist narrow—not the narrowness of tenuity or constraint;—but round, gradual, insensibly less in its compression:—and the person of Constance Vernon, in the bloom of her youth, is before you.

She passed with her quiet and stately step from her room, through one adjoining it, and which we stop to notice, because it was her customary sitting-room when not with Lady Erpingham. There had Godolphin, with the foreign but courtly freedom, the respectful and chivalric ease of his manners, often sought her; there had he lingered in order to detain her yet a moment and a moment longer from other company, seeking a sweet excuse in some remark on the books that strewed the tables, or the music in that recess, or the forest scene from those windows through which the moon of autumn now stole with its own peculiar power to soften and subdue. As these recollections came across her, her step faltered and her colour faded from its glow: she paused a moment, cast a mournful glance round the room, and then tore herself away, descended the lofty staircase, passed the stone hall, melancholy with old banners and rusted crests, and bore her beauty and her busy heart into the thickening and gay crowd.

Her eye looked once more round for the graceful form of Godolphin: but he was not visible; and she had scarcely satisfied herself of this before Lord Erpingham, the hero of the evening, approached and claimed her hand.

"I have just performed my duty," said he, with a gallantry of speech not common to him, "now for my reward. I have danced the first dance with Lady Margaret Midgecombe: I come, according to your promise, to dance the second with you."

There was something in these words that stung one of the morbid remembrances in Miss Vernon's mind. Lady Margaret Midgecombe, in ordinary life, would have been thought a good-looking, vulgar girl:—she was a Duke's daughter and she was termed a Hebe. Her little nose, and her fresh colour, and her silly but not unmalicious laugh, were called enchanting; and all irregularities of feature and faults of shape were absolutely turned into merits by that odd commendation, so common with us—"A deuced fine girl; none of your regular beauties."

Not only in the county of ——shire, but in London, had Lady Margaret Midgecombe been set up as the rival beauty of Constance Vernon. And Constance, far too lovely, too cold, too proud, not to acknowledge beauty in others, where it really existed, was nevertheless unaffectedly indignant at a comparison so unworthy; she even, at times, despised her own claims to admiration, since claims so immeasurably inferior could be put into competition with them. Added to this sore feeling for Lady Margaret, was one created by Lady Margaret's mother. The Duchess of Winstoun was a woman of ordinary birth—the daughter of a peer of great wealth but new family. She had married, however, one of the most powerful dukes in the peerage;—a stupid, heavy, pompous man, with four castles, eight parks, a coal-mine, a tin-mine, six boroughs, and about thirty livings. Inactive and reserved, the duke was seldom seen in public: the care of supporting his rank devolved on the duchess; and she supported it with as much solemnity of purpose as if she had been a cheesemonger's daughter. Stately, insolent, and coarse; asked everywhere; insulting all; hated and courted; such was the Duchess of Winstoun, and such, perhaps, have been other duchesses before her.

Be it understood that, at that day, Fashion had not risen to the despotism it now enjoys: it took its colouring from Power, not controlled it. I shall show, indeed, how much of its present condition that Fashion owes to the Heroine of these Memoirs. The Duchess of Winstoun could not now be that great person she was then: there is a certain good taste in Fashion which repels the mere insolence of flank—which requires persons to be either agreeable, or brilliant, or at least original—which weighs stupid dukes in a righteous balance and finds vulgar duchesses wanting. But in lack of this new authority this moral sebastocrator between the Sovereign and the dignity hitherto considered next to the Sovereign's—her Grace of Winstoun exercised with impunity the rights of insolence. She had taken an especial dislike to Constance:—partly because the few good judges of beauty, who care neither for rank nor report, had very unreservedly placed Miss Vernon beyond the reach of all competition with her daughter; and principally, because the high spirit and keen irony of Constance had given more than once to the duchess's effrontery so cutting and so public a check, that she had felt with astonishment and rage there was one woman in that world—that woman too unmarried—who could retort the rudeness of the Duchess of Winstoun. Spiteful, however, and numerous were the things she said of Miss Vernon, when Miss Vernon was absent; and haughty beyond measure were the inclination of her head and the tone of her voice when Miss Vernon was present. If, therefore, Constance was disliked by the duchess, we may readily believe that she returned the dislike. The very name roused her spleen and her pride; and it was with a feeling all a woman's, though scarcely feminine in the amiable sense of the word, that she learned to whom the honour of Lord Erpingham's precedence had been (though necessarily) given.

As Lord Erpingham led her to her place, a buzz of admiration and enthusiasm followed her steps. This pleased Erpingham more than, at that moment, it did Constance. Already intoxicated by her beauty, he was proud of the effect it produced on others, for that effect was a compliment to his taste. He exerted himself to be agreeable; nay, more, to be fascinating: he affected a low voice; and he attempted—poor man!—to flatter.

The Duchess of Winstoun and her daughter sat behind on an elevated bench. They saw with especial advantage the attentions with which one of the greatest of England's earls honoured the daughter of one of the greatest of England's orators. They were shocked at his want of dignity. Constance perceived their chagrin, and she lent a more pleased and attentive notice to Lord Erpingham's compliments: her eyes sparkled and her cheek blushed: and the good folks around, admiring Lord Erpingham's immense whiskers, thought Constance in love.