“I don’t pretend to be a good judge of paintings,” said Kenelm, as Cecilia paused beside him; “but it strikes me that this picture is very much better than most of those to which places of honour are assigned in your collection. And the face itself is so lovely that it would add an embellishment to the princeliest galleries.”
“Yes,” said Cecilia, with a half-sigh. “The face is lovely, and the portrait is considered one of Lely’s rarest masterpieces. It used to hang over the chimney-piece in the drawing-room. My father had it placed here many years ago.”
“Perhaps because he discovered it was not a family portrait?”
“On the contrary,—because it grieves him to think it is a family portrait. Hush! I hear his footstep: don’t speak of it to him; don’t let him see you looking at it. The subject is very painful to him.”
Here Cecilia vanished into the china closet and Kenelm turned off to his own room.
What sin committed by the original in the time of Charles II. but only discovered in the reign of Victoria could have justified Leopold Travers in removing the most pleasing portrait in the house from the honoured place it had occupied, and banishing it to so obscure a recess? Kenelm said no more on the subject, and indeed an hour afterwards had dismissed it from his thoughts. The next day he rode out with Travers and Cecilia. Their way passed through quiet shady lanes without any purposed direction, when suddenly, at the spot where three of those lanes met on an angle of common ground, a lonely gray tower, in the midst of a wide space of grass-land which looked as if it had once been a park, with huge boles of pollarded oak dotting the space here and there, rose before them.
“Cissy!” cried Travers, angrily reining in his horse and stopping short in a political discussion which he had forced upon Kenelm, “Cissy! How comes this? We have taken the wrong turn! No matter, I see there,” pointing to the right, “the chimney-pots of old Mondell’s homestead. He has not yet promised his vote to George Belvoir. I’ll go and have a talk with him. Turn back, you and Mr. Chillingly,—meet me at Terner’s Green, and wait for me there till I come. I need not excuse myself to you, Chillingly. A vote is a vote.” So saying, the Squire, whose ordinary riding-horse was an old hunter, halted, turned, and, no gate being visible, put the horse over a stiff fence and vanished in the direction of old Mondell’s chimney-pots. Kenelm, scarcely hearing his host’s instructions to Cecilia and excuses to himself, remained still and gazing on the old tower thus abruptly obtruded on his view.
Though no learned antiquarian like his father, Kenelm had a strange fascinating interest in all relics of the past; and old gray towers, where they are not church towers, are very rarely to be seen in England. All around the old gray tower spoke with an unutterable mournfulness of a past in ruins: you could see remains of some large Gothic building once attached to it, rising here and there in fragments of deeply buttressed walls; you could see in a dry ditch, between high ridges, where there had been a fortified moat: nay, you could even see where once had been the bailey hill from which a baron of old had dispensed justice. Seldom indeed does the most acute of antiquarians discover that remnant of Norman times on lands still held by the oldest of Anglo-Norman families. Then, the wild nature of the demesne around; those ranges of sward, with those old giant oak-trunks, hollowed within and pollarded at top,—all spoke, in unison with the gray tower, of a past as remote from the reign of Victoria as the Pyramids are from the sway of the Viceroy of Egypt.
“Let us turn back,” said Miss Travers; “my father would not like me to stay here.”
“Pardon me a moment. I wish my father were here; he would stay till sunset. But what is the history of that old tower? a history it must have.”