“Oh, that something afar! that something afar! never to be reached on this earth,—never, never!”
There was such a wail in that cry from the man’s heart that Cecilia could not resist the impulse of a divine compassion. She laid her hand on his, and looked on the dark wildness of his upward face with eyes that Heaven meant to be wells of comfort to grieving man. At the light touch of that hand Kenelm started, looked down, and met those soothing eyes.
“I am happy to tell you that I have saved my Durham,” cried out Mr. Travers from the other side of the gate.
CHAPTER XX.
AS Kenelm that night retired to his own room, he paused on the landing-place opposite to the portrait which Mr. Travers had consigned to that desolate exile. This daughter of a race dishonoured in its extinction might well have been the glory of the house she had entered as a bride. The countenance was singularly beautiful, and of a character of beauty eminently patrician; there was in its expression a gentleness and modesty not often found in the female portraits of Sir Peter Lely, and in the eyes and in the smile a wonderful aspect of innocent happiness.
“What a speaking homily,” soliloquized Kenelm, addressing the picture, “against the ambition thy fair descendant would awake in me, art thou, O lovely image! For generations thy beauty lived in this canvas, a thing of joy, the pride of the race it adorned. Owner after owner said to admiring guests, ‘Yes, a fine portrait, by Lely; she was my ancestress,—a Fletwode of Fletwode.’ Now, lest guests should remember that a Fletwode married a Travers thou art thrust out of sight; not even Lely’s art can make thee of value, can redeem thine innocent self from disgrace. And the last of the Fletwodes, doubtless the most ambitious of all, the most bent on restoring and regilding the old lordly name, dies a felon; the infamy of one living man is so large that it can blot out the honour of the dead.” He turned his eyes from the smile of the portrait, entered his own room, and, seating himself by the writing-table, drew blotting-book and note-paper towards him, took up the pen, and instead of writing fell into deep revery. There was a slight frown on his brow, on which frowns were rare. He was very angry with himself.
“Kenelm,” he said, entering into his customary dialogue with that self, “it becomes you, forsooth, to moralize about the honour of races which have no affinity with you. Son of Sir Peter Chillingly, look at home. Are you quite sure that you have not said or done or looked a something that may bring trouble to the hearth on which you are received as guest? What right had you to be moaning forth your egotisms, not remembering that your words fell on compassionate ears, and that such words, heard at moonlight by a girl whose heart they move to pity, may have dangers for her peace? Shame on you, Kenelm! shame! knowing too what her father’s wish is; and knowing too that you have not the excuse of desiring to win that fair creature for yourself. What do you mean, Kenelm? I don’t hear you; speak out. Oh, ‘that I am a vain coxcomb to fancy that she could take a fancy to me:’ well, perhaps I am; I hope so earnestly; and at all events, there has been and shall be no time for much mischief. We are off to-morrow, Kenelm; bestir yourself and pack up, write your letters, and then ‘put out the light,—put out the light!’”
But this converser with himself did not immediately set to work, as agreed upon by that twofold one. He rose and walked restlessly to and fro the floor, stopping ever and anon to look at the pictures on the walls.
Several of the worst painted of the family portraits had been consigned to the room tenanted by Kenelm, which, though both the oldest and largest bed-chamber in the house, was always appropriated to a bachelor male guest, partly because it was without dressing-room, remote, and only approached by the small back-staircase, to the landing-place of which Arabella had been banished in disgrace; and partly because it had the reputation of being haunted, and ladies are more alarmed by that superstition than men are supposed to be. The portraits on which Kenelm now paused to gaze were of various dates, from the reign of Elizabeth to that of George III., none of them by eminent artists, and none of them the effigies of ancestors who had left names in history,—in short, such portraits as are often seen in the country houses of well-born squires. One family type of features or expression pervaded most of these portraits; features clear-cut and hardy, expression open and honest. And though not one of those dead men had been famous, each of them had contributed his unostentatious share, in his own simple way, to the movements of his time. That worthy in ruff and corselet had manned his own ship at his own cost against the Armada; never had been repaid by the thrifty Burleigh the expenses which had harassed him and diminished his patrimony; never had been even knighted. That gentleman with short straight hair, which overhung his forehead, leaning on his sword with one hand, and a book open in the other hand, had served as representative of his county town in the Long Parliament, fought under Cromwell at Marston Moor, and, resisting the Protector when he removed the “bauble,” was one of the patriots incarcerated in “Hell hole.” He, too, had diminished his patrimony, maintaining two troopers and two horses at his own charge, and “Hell hole” was all he got in return. A third, with a sleeker expression of countenance, and a large wig, flourishing in the quiet times of Charles II., had only been a justice of the peace, but his alert look showed that he had been a very active one. He had neither increased nor diminished his ancestral fortune. A fourth, in the costume of William III.‘s reign, had somewhat added to the patrimony by becoming a lawyer. He must have been a successful one. He is inscribed “Sergeant-at-law.” A fifth, a lieutenant in the army, was killed at Blenheim; his portrait was that of a very young and handsome man, taken the year before his death. His wife’s portrait is placed in the drawing-room because it was painted by Kneller. She was handsome too, and married again a nobleman, whose portrait, of course, was not in the family collection. Here there was a gap in chronological arrangement, the lieutenant’s heir being an infant; but in the time of George II. another Travers appeared as the governor of a West India colony. His son took part in a very different movement of the age. He is represented old, venerable, with white hair, and underneath his effigy is inscribed, “Follower of Wesley.” His successor completes the collection. He is in naval uniform; he is in full length, and one of his legs is a wooden one. He is Captain, R.N., and inscribed, “Fought under Nelson at Trafalgar.” That portrait would have found more dignified place in the reception-rooms if the face had not been forbiddingly ugly, and the picture itself a villanous daub.