“Do you think Macbeth was young when he murdered Duncan?”
“Certainly. No man ever commits a first crime of violent nature, such as murder, after thirty; if he begins before, he may go on up to any age. But youth is the season for commencing those wrong calculations which belong to irrational hope and the sense of physical power. You thus read in the newspapers that the persons who murder their sweethearts are generally from two to six and twenty; and persons who murder from other motives than love—that is, from revenge, avarice, or ambition—are generally about twenty-eight,—Iago’s age. Twenty-eight is the usual close of the active season for getting rid of one’s fellow-creatures; a prize-fighter falls off after that age. I take it that Macbeth was about twenty-eight when he murdered Duncan, and from about fifty-four to sixty when he began to whine about missing the comforts of old age. But can any audience understand that difference of years in seeing a three-hours’ play? or does any actor ever pretend to impress it on the audience, and appear as twenty-eight in the first act and a sexagenarian in the fifth?”
“I never thought of that,” said the boy, evidently interested. “But I never saw ‘Macbeth.’ I have seen ‘Richard III.:’ is not that nice? Don’t you dote on the play? I do. What a glorious life an actor’s must be!”
Kenelm, who had been hitherto rather talking to himself than to his youthful companion, here roused his attention, looked on the boy intently, and said,—
“I see you are stage-stricken. You have run away from home in order to turn player, and I should not wonder if this note you want me to give is for the manager of the theatre or one of his company.”
The young face that encountered Kenelm’s dark eye became very flushed, but set and defiant in its expression.
“And what if it were? would not you give it?”
“What! help a child of your age run away from his home, to go upon the stage against the consent of his relations? Certainly not.”
“I am not a child; but that has nothing to do with it. I don’t want to go on the stage, at all events without the consent of the person who has a right to dictate my actions. My note is not to the manager of the theatre, nor to one of his company; but it is to a gentleman who condescends to act here for a few nights; a thorough gentleman,—a great actor,—my friend, the only friend I have in the world. I say frankly I have run away from home so that he may have that note, and if you will not give it some one else will!”
The boy had risen while he spoke, and he stood erect beside the recumbent Kenelm, his lips quivering, his eyes suffused with suppressed tears, but his whole aspect resolute and determined. Evidently, if he did not get his own way in this world, it would not be for want of will.