“I beg your pardon for intruding at this hour, Mrs. Somers,” said Kenelm, who had been too familiar with peasants from his earliest childhood not to know how quickly, when in the presence of their household gods, they appreciate respect, and how acutely they feel the want of it. “But my stay in the village is very short, and I should not like to leave without seeing your son’s basket-work, of which I have heard much.”
“You are very good, sir,” said Will, with a pleased smile that wonderfully brightened up his face. “It is only just a few common things that I keep by me. Any finer sort of work I mostly do by order.”
“You see, sir,” said Mrs. Somers, “it takes so much more time for pretty work-baskets, and such like; and unless done to order, it might be a chance if he could get it sold. But pray be seated, sir,” and Mrs. Somers placed a chair for her visitor, “while I just run up stairs for the work-basket which my son has made for Miss Travers. It is to go home to-morrow, and I put it away for fear of accidents.”
Kenelm seated himself, and, drawing his chair near to Will’s, took up the half-finished basket which the young man had laid down on the table.
“This seems to me very nice and delicate workmanship,” said Kenelm; “and the shape, when you have finished it, will be elegant enough to please the taste of a lady.”
“It is for Mrs. Lethbridge,” said Will: “she wanted something to hold cards and letters; and I took the shape from a book of drawings which Mr. Lethbridge kindly lent me. You know Mr. Lethbridge, sir? He is a very good gentleman.”
“No, I don’t know him. Who is he?”
“Our clergyman, sir. This is the book.”
To Kenelm’s surprise, it was a work on Pompeii, and contained woodcuts of the implements and ornaments, mosaics and frescos, found in that memorable little city.
“I see this is your model,” said Kenelm; “what they call a patera, and rather a famous one. You are copying it much more truthfully than I should have supposed it possible to do in substituting basket-work for bronze. But you observe that much of the beauty of this shallow bowl depends on the two doves perched on the brim. You can’t manage that ornamental addition.”