KENELM took his way to the theatre, and inquired of the door-keeper for Mr. Herbert Compton. That functionary replied, "Mr. Compton does not act to-night, and is not in the house."
"Where does he lodge?"
The door-keeper pointed to a grocer's shop on the other side of the way, and said tersely, "There, private door; knock and ring."
Kenelm did as he was directed. A slatternly maid-servant opened the door, and, in answer to his interrogatory, said that Mr. Compton was at home, but at supper.
"I am sorry to disturb him," said Kenelm, raising his voice, for he heard a clatter of knives and plates within a room hard by at his left, "but my business requires to see him forthwith;" and, pushing the maid aside, he entered at once the adjoining banquet-hall.
Before a savoury stew smelling strongly of onions sat a man very much at his ease, without coat or neckcloth,—a decidedly handsome man, his hair cut short and his face closely shaven, as befits an actor who has wigs and beards of all hues and forms at his command. The man was not alone; opposite to him sat a lady, who might be a few years younger, of a somewhat faded complexion, but still pretty, with good stage features and a profusion of blond ringlets.
"Mr. Compton, I presume," said Kenelm, with a solemn bow.
"My name is Compton: any message from the theatre? or what do you want with me?"
"I—nothing!" replied Kenelm; and then deepening his naturally mournful voice into tones ominous and tragic, continued, "By whom you are wanted let this explain;" therewith he placed in Mr. Compton's hand the letter with which he was charged, and stretching his arms and interlacing his fingers in the /pose/ of Talma as Julius Caesar, added, "'Qu'en dis-tu, Brute?'"
Whether it was from the sombre aspect and awe-inspiring delivery of the messenger, or the sight of the handwriting on the address of the missive, Mr. Compton's countenance suddenly fell, and his hand rested irresolute, as if not daring to open the letter.