The dog seemed to understand the question, for it turned its head significantly; and Kenelm saw, seated under a lime-tree, at a good distance from the path, a man, with book in hand, evidently employed in sketching.
"Come this way," he said to Tom: "I recognize an acquaintance. You will like him." Tom desired no new acquaintance at that moment, but he followed Kenelm submissively.
CHAPTER IX.
"YOU see we are fated to meet again," said Kenelm, stretching himself at his ease beside the Wandering Minstrel, and motioning Tom to do the same. "But you seem to add the accomplishment of drawing to that of verse-making! You sketch from what you call Nature?"
"From what I call Nature! yes, sometimes."
"And do you not find in drawing, as in verse-making, the truth that I have before sought to din into your reluctant ears; namely, that Nature has no voice except that which man breathes into her out of his mind? I would lay a wager that the sketch you are now taking is rather an attempt to make her embody some thought of your own, than to present her outlines as they appear to any other observer. Permit me to judge for myself." And he bent over the sketch-book. It is often difficult for one who is not himself an artist nor a connoisseur to judge whether the pencilled jottings in an impromptu sketch are by the hand of a professed master or a mere amateur. Kenelm was neither artist nor connoisseur, but the mere pencil-work seemed to him much what might be expected from any man with an accurate eye who had taken a certain number of lessons from a good drawing-master. It was enough for him, however, that it furnished an illustration of his own theory. "I was right," he cried triumphantly. "From this height there is a beautiful view, as it presents itself to me; a beautiful view of the town, its meadows, its river, harmonized by the sunset; for sunset, like gilding, unites conflicting colours, and softens them in uniting. But I see nothing of that view in your sketch. What I do see is to me mysterious."
"The view you suggest," said the minstrel, "is no doubt very fine, but it is for a Turner or a Claude to treat it. My grasp is not wide enough for such a landscape."
"I see indeed in your sketch but one figure, a child."
"Hist! there she stands. Hist! while I put in this last touch."
Kenelm strained his sight, and saw far off a solitary little girl, who was tossing something in the air (he could not distinguish what), and catching it as it fell. She seemed standing on the very verge of the upland, backed by rose-clouds gathered round the setting sun; below lay in confused outlines the great town. In the sketch those outlines seemed infinitely more confused, being only indicated by a few bold strokes; but the figure and face of the child were distinct and lovely. There was an ineffable sentiment in her solitude; there was a depth of quiet enjoyment in her mirthful play, and in her upturned eyes.