CHAPTER IV.
Mr. CHILLINGLY MIVERS never gave a dinner at his own rooms. When he did give a dinner it was at Greenwich or Richmond. But he gave breakfast-parties pretty often, and they were considered pleasant. He had handsome bachelor apartments in Grosvenor Street, daintily furnished, with a prevalent air of exquisite neatness, a good library stored with books of reference, and adorned with presentation copies from authors of the day, very beautifully bound. Though the room served for the study of the professed man of letters, it had none of the untidy litter which generally characterizes the study of one whose vocation it is to deal with books and papers. Even the implements for writing were not apparent, except when required. They lay concealed in a vast cylinder bureau, French made, and French polished. Within that bureau were numerous pigeon-holes and secret drawers, and a profound well with a separate patent lock. In the well were deposited the articles intended for publication in "The Londoner," proof-sheets, etc.; pigeon-holes were devoted to ordinary correspondence; secret drawers to confidential notes, and outlines of biographies of eminent men now living, but intended to be completed for publication the day after their death.
No man wrote such funeral compositions with a livelier pen than that of Chillingly Mivers; and the large and miscellaneous circle of his visiting acquaintances allowed him to ascertain, whether by authoritative report or by personal observation, the signs of mortal disease in the illustrious friends whose dinners he accepted, and whose failing pulses he instinctively felt in returning the pressure of their hands; so that he was often able to put the finishing-stroke to their obituary memorials days, weeks, even months, before their fate took the public by surprise. That cylinder bureau was in harmony with the secrecy in which this remarkable man shrouded the productions of his brain. In his literary life Mivers had no "I," there he was ever the inscrutable, mysterious "We." He was only "I" when you met him in the world, and called him Mivers.
Adjoining the library on one side was a small dining or rather breakfast room, hung with valuable pictures,—presents from living painters. Many of these painters had been severely handled by Mr. Mivers in his existence as "We,"—not always in "The Londoner." His most pungent criticisms were often contributed to other intellectual journals conducted by members of the same intellectual clique. Painters knew not how contemptuously "We" had treated them when they met Mr. Mivers. His "I" was so complimentary that they sent him a tribute of their gratitude.
On the other side was his drawing-room, also enriched by many gifts, chiefly from fair hands,—embroidered cushions and table-covers, bits of Sevres or old Chelsea, elegant knick-knacks of all kinds. Fashionable authoresses paid great court to Mr. Mivers; and in the course of his life as a single man, he had other female adorers besides fashionable authoresses.
Mr. Mivers had already returned from his early constitutional walk in the Park, and was now seated by the cylinder /secretaire/ with a mild-looking man, who was one of the most merciless contributors to "The Londoner" and no unimportant councillor in the oligarchy of the clique that went by the name of the "Intellectuals."
"Well," said Mivers, languidly, "I can't even get through the book; it is as dull as the country in November. But, as you justly say, the writer is an 'Intellectual,' and a clique would be anything but intellectual if it did not support its members. Review the book yourself; mind and make the dulness of it the signal proof of its merit. Say: 'To the ordinary class of readers this exquisite work may appear less brilliant than the flippant smartness of'—any other author you like to name; 'but to the well educated and intelligent every line is pregnant with,' etc. By the way, when we come by and by to review the exhibition at Burlington House, there is one painter whom we must try our best to crush. I have not seen his pictures myself, but he is a new man; and our friend, who has seen him, is terribly jealous of him, and says that if the good judges do not put him down at once, the villanous taste of the public will set him up as a prodigy. A low-lived fellow too, I hear. There is the name of the man and the subject of the pictures. See to it when the time comes. Meanwhile, prepare the way for onslaught on the pictures by occasional sneers at the painter." Here Mr. Mivers took out of his cylinder a confidential note from the jealous rival and handed it to his mild-looking /confrere/; then rising, he said, "I fear we must suspend our business till to-morrow; I expect two young cousins to breakfast."
As soon as the mild-looking man was gone, Mr. Mivers sauntered to his drawing-room window, amiably offering a lump of sugar to a canary-bird sent to him as a present the day before, and who, in the gilded cage which made part of the present, scanned him suspiciously and refused the sugar.
Time had remained very gentle in its dealings with Chillingly Mivers. He scarcely looked a day older than when he was first presented to the reader on the birth of his kinsman Kenelm. He was reaping the fruit of his own sage maxims. Free from whiskers and safe in wig, there was no sign of gray, no suspicion of dye. Superiority to passion, abnegation of sorrow, indulgence of amusement, avoidance of excess, had kept away the crow's-feet, preserved the elasticity of his frame and the unflushed clearness of his gentlemanlike complexion. The door opened, and a well-dressed valet, who had lived long enough with Mivers to grow very much like him, announced Mr. Chillingly Gordon.
"Good morning," said Mivers; "I was much pleased to see you talking so long and so familiarly with Danvers: others, of course, observed it, and it added a step to your career. It does you great good to be seen in a drawing-room talking apart with a Somebody. But may I ask if the talk itself was satisfactory?"